دانلود کتاب Making Sense of Mind-Game Films: Narrative Complexity, Embodiment, and the Senses

فهرست مطالب :

Cover\nHalf title\nTitle\nCopyrights\nDedication\nContents\nAcknowledgments\nIntroduction\n Complex narratives in contemporary cinema\n Defining mind-game films\n Typical features of mind-game films: Subjectivity, deception, and matters of the mind\n Solving complex narrative puzzles\n Feeling complex narrative textures\n Film, phenomenology, and theories of embodied spectatorship\n Making sense of films that don’t always make sense\n1 Seeing What Others Cannot See\n Epistemological uncertainty and visual complexity in The Sixth Sense and The Others\n Complex twist films and the disavowal of death\n Death, vision, and embodied spectatorship\n Visible gestures and invisible viewing subjects in The Sixth Sense\n Light, perspective, and the materiality of the embodied observer in The Others\n Sense hierarchies and perceptual reconfigurations\n2 Solving Things Differently\n Mental pathologies and embodied experience in Memento and Fight Club\n Haptic openings, tactile beginnings\n Tactile epistemologies and embodied knowledge in Memento\n Corporeal estrangement and embodied experience in Fight Club\n Productive pathologies revisited: Characters with mental conditions and embodied spectators\n3 Getting Lost, Sensing the Way\n Infinite worlds and impossible loops in Possible Worlds and Source Code\n Setting the scene, settling into a world: Bodily orientation in (cinematic) space\n Spatiotemporal (dis)orientation in complex cinematic worlds\n Bodily displacement and being lost\n Feeling coherence: Atmosphere, immersion, and perceptual maps\n Cognitive riddles, immersive pleasures\nConclusion: Play It Again – Games with the Mind or with the Body and the Senses?\nNotes\nReferences\nFilms\nTelevision\nIndex