دانلود کتاب Mapping Movie Magazines: Digitization, Periodicals and Cinema History

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Acknowledgements
Contents
Notes on Contributors
List of Images
List of Graphs
List of Tables
Chapter 1: Introduction: Movie Magazines, Digitization and New Cinema History
Magazines, Digitization and Cinema Historiography
Magazines, the Film Industry and the Cultural Economy
Authors, Stars and Fans
Part I: Magazines, Digitization and Cinema Historiography
Chapter 2: Variety’s Transformations: Digitizing and Analyzing the First 35 Years of the Canonical Trade Paper
The Digitization Process: Post-Production Labor as Philology
Computational Analysis: Using Scaled Entity Search
Distant Reading with Quantitative Content Analysis
Synthesizing Methods and Understanding Variety’s Shifts Toward Film and Radio
Conclusion
Chapter 3: Who Knew? Using Digital Trade Papers to Explore Ethnic Programming in American Picture Palaces
A New Jewish Patronage
Before Broadway
Broadway Discovers the Jewish Passover Crowds
Vaudeville Stars and Sacred Songs for the High Holidays
Competition for the High Holiday Public
Methodological Reflection: The Needle and the Haystack
Chapter 4: Periodical Studies, Intermediality, and Cinema: Film in The Listener
Intermedial Periodical Studies
The Listener
Film Criticism in The Listener
Conclusion
Part II: Magazines, the Film Industry and the Cultural Economy
Chapter 5: Gross “Inaccuracies, Misrepresentations, and Exaggerations”: The Motion Picture Industry’s Clean-up of Movie Fan Magazines in 1934
The Association of Motion Picture Producers, Studio Publicity Directors and Fan Magazines in the 1930s
Hollywood Discourses: Mainstream Journalism vs. Fan Magazines
“Inaccuracies, Misrepresentations, and Exaggerations”: Fan Magazines in 1933–1934
Conclusion
Chapter 6: “The Great and Important Thing in Her Life”: Depicting Female Labor and Ambition in 1920s and 1930s US Movie Magazines
“Boadiceas of Big Business”: The Hollywood Women’s Press Club and Female Wage Labor
“Her Consuming Ambition and Burning Desire”: Joan Crawford and Gender Identity in the Movie Magazines
Chapter 7: “The Girl Friend in Canada”: Ray Lewis and Canadian Moving Picture Digest (1915–1957)
Women Editors of Movie Magazines
Ray Lewis: Genesis of a Character
Canadian Moving Picture Digest
The White Commission
Ray Lewis Versus the World
Tireless Advocate for a Domestic Industry
Industry Honors Lewis as Pioneer
Chapter 8: Drumming up Readers: Zonk! African People’s Pictorial and Films for African Audiences in South Africa in 1949 and the Early 1950s
Access, Archives and Cinema History in the “Global South”
Zonk! African People’s Pictorial and African Jim
The Magazine, and the Film Zonk!
Zonk! African People’s Pictorial and The Magic Garden (1951)
“Two Famous Films”
African Film Production’s Film Song of Africa (1951)
Drum Arrives on the Scene
Conclusions
Chapter 9: Mapping the Dutch Film Magazine Market, 1920–1960
Pre-War Era: Westerbaan as a Key Figure
The Cinephile Niche
Movie Magazines During Occupation
After the War: A Challenging Market
Conclusions
Part III: Authors, Stars, and Fans
Chapter 10: Looking at Movie Fans: On Pictures Published in French Film Magazines of the Interwar Years
Dreaming of Being a Star: Pictures Sent in a ‘Search for a Star’ Contest
Being a Member of a Cinephilic Society: Pictures in the Mail Section of Pour Vous
Pictures of Stars Side by Side with Spectators: The Movie Family Gathered
Conclusion: They Had Faces Too
Chapter 11: Between Hollywood and Babelsberg: Popular Cinephilia in a Dutch Movie Magazine of the 1920s
Running a Movie Magazine in an Underdeveloped Market
Modes of Interactive Fandom
Engaging Dutch Movie Fans
“Do You Want to Go to Berlin?”
The Dutch Clara Bow
Chapter 12: Hollywood Imaginaries at the End of the World: Ecran and the Construction of the International Industry from the Periphery
Chilean Film Magazines
Ecran Magazine
Ecran as a Mediator Between Hollywood and Chile
Hollywood Between Modernity and Mistrust
Ecran and Hollywood es así (1944)
Conclusion
Chapter 13: “How’s Your Sense of Direction?” Using Movie Magazines to Study Audiences’ Perception of Classical Hollywood Directors, 1934–1943
“Pantheon Directors”
“The Far Side of Paradise”
Other Directors
Conclusion
Chapter 14: “Coming Attractions”: Tijuana Bibles and the Pornographic Reimagining of Hollywood
Histories of the Tijuana Bible
Tijuana Bibles as Bridging Episode
Tijuana Bibles as an Object and Generic Category
Tijuana Bibles Go to Hollywood
Tijuana Bibles and Moral Panic
Conclusion
Index