دانلود کتاب Mary Butts: Necessary Contradictions and Feminist Reconstructions

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Cover
Contents
List of Figures
Opening Art 1. Response to Mary Butts, inspired by Jean Cocteau, © Lupe Núñez-Fernández
Opening Art 2. Response to Ashe of Rings, inspired by Salterns, © Lupe Núñez-Fernández
Foreword Danny Israel
Introduction Through a Series of Letters Joel Hawkes
Part One Rhythms
1 Knight’s Move: Reimagined Letters and the Making of an Artist’s Book Edition of Mary Butts’s Imaginary Letters Tim Hopkins
Response: Reimagining Mary Butts’s Queer Imaginary Letters as Artist Book Jane Garrity
2 Classical: (Re)constructions of Gender, Time, and Space, with the Medium as Guide Jenna Marco
Response: Mary Butts’s Mediums and Models of Popular Female Authorship Indu Ohri
3 Knight’s Move: A Year at Salterns Leigh Rocha
Response: A House Removed from History Stanislava Dikova
Part Two Resistance
4 Classical: “Rights, Property, and Preservation in Mary Butts’s Armed with Madness” Stanislava Dikova
Response: “Rights, Property, and Preservation in Mary Butts’s Armed with Madness” Sanna Melin Schyllert
5 Classical: I Like Mary Butts (and I Cannot Lie) Stephen Ross
Response: “I Cannot Lie” Roslyn Reso Foy
6 Classical: Mary Butts, Her Work and Papers, and an Interview with Camilla Bagg Roslyn Reso Foy
Response: What It Means to Own a Text Tim Hopkins
7 Classical: “He Is Glad to Think of Me Tied to the Soil at Last”: Mary Butts and the Motherhood Problem Sanna Melin Schyllert
Response: “Mary Butts and the Motherhood Problem” Leigh Rocha
Part Three Recoveries
8 Classical: “Queer Devils” and “Beastly Indulgences” in Mary Butts’s Unborn Gods Jane Garrity
Response: “Queer Devils” Jenna Marco
9 Knight’s Move: Who’s Afraid of Mary Butts? Bruce R. McPherson
Response: (Re)discovering Mary Butts Joel Hawkes
10 Classical: Reconstructing Miltonic Elegies and Freudian Coincidences: Mary Butts’s Queer Theory of Signatures in Her Cornish Stories Indu Ohri
Response: “Signatures of All Things Visible which I Am Here to Read” Stephen Ross
Afterword Andrew Radford
Closing Art. Response to cover art of Armed with Madness, © Lupe Núñez-Fernández
Acknowledgments
Notes on Contributors
Index