دانلود کتاب Models of Research in Audiovisual Translation

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// Babel. — Vol. 48 (1). — 2002. — P. 1-13.This paper will try to offer a classification of the models of research in audiovisual translation and to describe the different theoretical approaches towards this field proposed during the last two decades. The analysis reveals that studies on audiovisual translation can tentatively be grouped into two large sets: studies focusing on the process involved in audiovisual translating, and studies of audiovisual translated texts as products. In the first set, one can distinguish between (a) studies that try to find a place for audiovisual texts in the different traditional classifications of text typologies, and (b) studies attending to the mode of discourse and the interaction between text and image in audiovisual genres, both aiming to draw conclusions applicable to the practice of translation of these particular texts.
The second group moves further into the basic constituents of audiovisual texts and the interaction between word and image: taking into consideration audiovisual texts as verbal-iconic discourses, authors focus on the interplay between linguistic utterances and iconic representations on the screen through mechanisms of cohesion and a deeper analysis of the process of communication involved. On the other hand, studies focusing on the product go from the ones that consider films as adaptations of former literary texts, to studies centred on the cultural impact of audiovisual translations in target audiences, according to the polysystem theory and the norms of audiovisual translation. Finally we will try to outline some learning objectives for the training of translators in this field as well as some perspectives for future research.