دانلود کتاب Modern Theatre in Russia: Tradition Building and Transmission Processes

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Cover\nContents\nList of illustrations\nAcknowledgements\nTranslation credits and a note on transliteration\n1 Introduction\n Modern theatre and the problem of continuity\n Lines of continuity in the Russian theatre tradition\n Implications to tradition building\n Milestone, stagnation and renewal\n A concerted effort\n Cultural transmission\n Chapter summaries\n Suggestions for practice\n Note on the practical exercises\n Transmission exercise and belts\n2 Stanislavsky: Renewing tradition through transmission\n Renewing theatre traditions\n Scenic Transmission: The case of Ludwig Barnay\n The First Studio: An example of Democratic Levelling\n Rehearsal Transmission: Stanislavsky’s work on Artists and Admirers\n The international dimension of the Stanislavsky acting tradition\n Conclusion\n Suggestions for practice\n The Gorky Method\n3 Misinterpretation of theatre practice: Stanislavsky-Smyshlaev\n Why cultural transmission?\n Smyshlaev’s diary: January–December 1917\n Theatre references in Smyshlaev’s diary\n The Stanislavsky-Smyshlaev rift: Collective creation\n The use of improvisation\n Work processes in The Technique to Process Stage Performance\n Conclusion\n Suggestions for practice\n From individual to group work\n4 Amateur and proletarian theatre in post-revolutionary Russia\n Aesthetics and theatricality on the amateur stage\n Historiographical difficulties\n Transmission point 1: Critical processing\n Transmission point 2: Collective creation and independent action – From the studio to everyday life\n Insurrection as an example of proletarian theatre\n Conclusion\n Suggestions for practice\n Amateur aesthetics and collective practices\n Political scenarios and improvisation\n5 Meyerhold: Bias in transmission processes\n Researching Meyerhold: From bias to myth-making\n Recurrence and difference in Meyerhold’s work\n Meyerhold’s rediscovery of past traditions\n The Borodin Studio as an instance of Practice as Research\n The Meyerhold Theatre’s foreign tour of 1930\n Meyerhold’s internationalism discerned from Western newspapers\n Suggestions for practice\n Introducing Meyerhold’s theatricality\n ‘Expressing thoughts spatially’\n6 Lesser-known names: Rediscovering female voices\n The status of women in early Soviet Russia\n Contributions of female artists\n The case of Asja Lācis\n Conclusion\n Axioms about modern theatre in Russia\n Organizational principles when running transmission workshops\nNotes\nReferences\nIndex