دانلود کتاب Music and Myth in Modern Literature

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Cover
Half Title
Series Page
Title Page
Copyright Page
Forward
Contents
Acknowledgements
Prelude: Chasing the Ineffable
Part I: First Movement
1. Schopenhauer, Wagner and Nietzsche: The Musicalization of Myth and the Mythologization of Music in The Birth of Tragedy
Musico-Mythic Beginnings
Schopenhauer’s Metaphysics of Music in The World as Will and Representation
Wagner: Musicalizing Nation and Myth in Beethoven
Nietzsche’s Aesthetic Models of Music and Myth in The Birth of Tragedy
Towards a Nietzschean Configuration in the Modern Novel
Part II: Second Movement
2. Jean-Christophe: The Silent Music of the Soul
The Genesis of Jean-Christophe
A Born Musician: Jean-Christophe’s Early Years
The Roots of Artistic Creation: Jean-Christophe the Creator
Music Fictionalized: Jean-Christophe’s Compositions
Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in Jean-Christophe
Jean-Christophe’s Final Voyage: Improvisation, Italy and Late Music
Part III: Third Movement
3. Joyce’s ‘Gesamtkunstwerk’: Performative Music and Mythic Method in Ulysses
Approaching Music and Myth in Ulysses
Stephen Dedalus-Dionysus: A Portrait of the Artist’s Aesthetic Theory in “Proteus”
From Apollo to Bloom: Resisting Songs in the “Sirens”
And Behold: Leopold Could Not Live Without Stephen! The Apollonian and Dionysian, Side by Side in “Eumaeus”
Myth Updating in Ulysses
Part IV: Fourth Movement
4. The Pact: Music and Myth in Thomas Mann’s Doctor Faustus
Demonic Origins
Mann and Myth
Part I: Adrian Leverkühn’s Education
Kretzschmar’s Lectures
Part II: Why Adrian Leverkühn Writes Such Good Music
The Early Works
Apocalypse Now!
The Great Lament: Adrian Leverkühn’s Masterpiece and Faust’s Redemption
Reprise
Bibliography
Index