دانلود کتاب Music, modernity, and the global imagination: South Africa and the West

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Frontmatter\nIntroduction (page 3)\nPart I \"Heartless Swindle\": The African Choir and the Zulu Choir in England and America (page 11)\n 1. Archaic Images, Utopian Dreams: Forms of Nineteenth-Century Historical Consciousness (page 15)\n 2. \"Style Is Just the Man Himself\": (Auto)Biography, Self-Identity, and Fictions of Global Order (page 32)\n 3. Inventing the Metropolis: Josiah Semouse\'s Travel Diary and the Dilemmas of Representation (page 59)\n 4. \"Spectatorial Lust\": Spectacle and the Crisis of Imperial Knowledge (page 86)\n 5. Symbols of Inclusion and Exclusion: Nationalism, Colonial Consciousness, and the \"Great Hymn\" (page 111)\n 6. Variations upon a Theme: The Zulu Choir in London, 1892-93 (page 133)\n 7. \"God\'s Own Country\": Black America, South Africa, and the Spirituals (page 144)\n 8. Interlude (page 165)\nPart II \"Days of Miracles and Wonder\": Graceland and the Continuities of the Postcolonial World (page 167)\n 9. Figuring Culture: The Crisis of Modernity and Twentieth-Century Historical Consciousness (page 173)\n 10. Hero on the Pop Chart: Paul Simon and the Aesthetics of World Music (page 179)\n 11. Fantasies of Home: The Antinomies of Modernity and the Music of Ladysmith Black Mambazo (page 199)\n 12. Dream Journeys: Techniques of the Self and the Biographical Imagination of Bhekizizwe J. Shabalala (page 214)\n 13. Songs of Truth and Healing: Searching for a New South Africa (page 234)\n 14. Communities of Style: Musical Figures of Black Diasporic Identity (page 246)\n 15. Dances with Power: Michael Jackson, Ladysmith Black Mambazo, and the Ambiguities of Race (page 268)\n 16. Epilogue: The Art of the Impossible (page 281)\nNotes (page 283)\nIndex (page 308)