دانلود کتاب Music, Myth and Story in Medieval and Early Modern Culture

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Frontcover
Contents
List of Illustrations
List of Contributors
Editors’ Note
Introduction
I Myth in Medieval Music Theory and Philosophy
1 Music and the Myth of Apollo’s Grove
2 The Consolation of Philosophy and the ‘Gentle’ Remedy of Music
3 And in England, There are Singers:
Grafting Oneself into the Origins of Music
II Iconologies of Music and Myth
4 The Harmonious Blacksmith, Lady Music and Minerva:
The Iconography of Secular Song in the Late Middle Ages
5 Foolish Midas: Representing Musical Judgement and
Moral Judgement in Italy c.1520
III Myths in Renaissance Philosophies of Music
6 Marsilio Ficino and Girolamo Cardano under Orpheus’s Spell
7 Origin Myths, Genealogies and Inventors:
Defining the Nature of Music in Early Modern England
IV Myth and Musical Practice
8 How to Sing like Angels:
Isaiah, Ignatius of Antioch and Protestant Worship in England
9 In Pursuit of Echo: Sound, Space and the History of the Self
V Narratives of Performance
10 Ophelia’s Mad Songs and Performing Story in
Early Modern England
11 Dangerous Beauty: Stories of Singing Women in
Early Modern Italy
VI Myth and Music as Forms of Knowledge
12 ‘Fantastic Spirits’:
Myth and Satire in the Ayres of Thomas Weelkes
13 Feeling Fallen: A Re-telling of the Biblical Myth of the Fall in
a Musical Adaptation of Marvell’s ‘A Dialogue
between Thyrsis and Dorinda’
VII Re-Imagining Myths and Stories for the Stage
14 ‘Armida’s Picture we from Tasso Drew’?: The Rinaldo and Armida
Story in Late Seventeenth- and Early Eighteenth-Century English
Operatic Entertainments
15 Translating Myth Through Tunes: Ebenezer Forrest’s Ballad Opera
Adaptation of Louis Fuzelier’s Momus Fabuliste (1719–29)
Bibliography
Index