دانلود کتاب Music Scenes and Migrations: Space and Transnationalism in Brazil, Portugal and the Atlantic

فهرست مطالب :

Cover
Front Matter
Half-title
Title page
Copyright information
Table of Contents
List of Illustrations
Acknowledgments
Parts 1 to 3
Part 1 Colonial and Postcolonial Transnationalisms, Migrations and Diasporas
Chapter 1 The Cimboa and Cape Verdean Transcultural Heritage
The Cimboa: Fulbe Heritage?
Mano Mendi and Pascoal Fernandes
The Cimboa in Brazil: Gentil do Orocongo
Discography
Filmography
Chapter 2 Lundus, Street Organs, Music Boxes and the ‘Cachucha’: Early Nineteenth-Century Transatlantic Crossings between Europe and Rio de Janeiro
Introduction: from ‘Noise’ to Music
Written Transmission of the Cachucha
Fanny Elssler’s Cachucha
The Cachucha in Brazil
Written and Oral Transmission: Sheet Music, Manuscripts and Songbooks
Spanish Variants of the Cachucha
Maria Cachucha in Portugal and Brazil
Oral and Aural/Audile transmission: ‘Maria Cachucha’ and ‘Lá no largo da Sé’
The Cachucha in Street Organs and Music Boxes
Conclusion: Implications for the History of Recorded Music in Brazil
Chapter 3 Música caipira and Rooting
Cornélio Pires
Sound Recording and Radio
Musicalities, Playing Styles, Hybridities
Rooting, Singing Histories, New Times
Chapter 4 Lusofonia as Intervention: Postcolonial Intercultural Traffic in Lusophone Hip Hop Events
Introduction
Rápublica and Lisboa 94
Tejo Beat and Expo’98
Lusofonia, a (R)evolução
Lusophone Hip Hop Festivals
Collaborations between Lusophone Hip Hop Musicians
Versos que atravessam o Atlântico (2013)
Um brinde à amizade (2012)
Mussulo (2014)
Argument and Conclusion
Discography
Chapter 5 ‘A Piece of Brazil in Lisbon’: Brazilian Musical Practices in the Portuguese Capital
Chapter 6 ‘Calentando la Ciudad’: Intimacy and Cosmopolitanism among Brazilian Musicians in Madrid
Brazilian Music in the City of Fun
Intimacy, Cosmopolitanism and Cultural Diversity
Playing a Bit of Everything: Brazilian Carnival in Madrid
Conclusion
Discography
Part 2 Relocating Rio de Janeiro
Chapter 7 Samba, Its Places and Its City
Chapter 8 Between Temple Yards and Hillsides: Rio de Janeiro’s Samba, Its Spaces, Humour and Identity
Chapter 9 The Construction of a Canonical Space for Samba and Choro within the Brazilian Social Imaginary
Introduction
Samba, Choro and the Lapa Neighbourhood: A Brief Historical Overview
Samba, Choro and Memory within a Globalized World: The Lapa Cultural Circuit as a Benchmark for ‘Local’ and ‘Quality’ Musical Expression
‘Inner’ Strategies and Narratives of Legitimation
The Reinforcement of Legitimacy by Specialist/Academic/Informative Narratives
The Reassignment of Meaning by the Consumer Market
Conclusion
Chapter 10 The National Arts Foundation and the Monumentalization of Rio de Janeiro’s Popular Music as National Heritage
Rio de Janeiro: Centre of the Political and Cultural Life of the Country
Hermínio Bello de Carvalho’s Administration of FUNARTE and Cultural Policy under the Military Dictatorship
Chapter 11 Samba, Anti-Racism and Communitarian Politics in 1970s Rio de Janeiro: Candeia and the Quilombo Project
Chapter 12 Samba, Pagode and Mediation: From Backyard to Disc
Samba and Mediation
The Pagode ‘Movement’
Final Considerations
Discography
Part 3 Demetropolitanizing the Musical City: Other Scenes, Industries, Technologies
Chapter 13 Brazilian Post-Punk in the Catalogue of the Independent Record Company Baratos Afins
The Brazilian Recording Industry and Rock in Brazil
Baratos Afins – A Specific Model of the Independent Recording Company
Post-Punk and the Baratos Afins Catalogue
Chapter 14 Música Pesada Brasileira: Sepultura and the Reinvention of Brazilian Sound
Beyond the Local and the Global: Intensive Multiplicities
Heavy Brazilian Music: Sepultura
Discography
Chapter 15 Digital Culture, Music Video, and the Brazilian Peripheral Pop Music Scene
Introduction
I Pop(ular) and Peripheral
II The New Environment for the Circulation of Peripheral Pop Music: Social Media Networks, YouTube and Music Videos
III Mapping the Actors in the ‘Most Viewed’ Listings
Conclusion
Chapter 16 An Introduction to the New Social Place of Brazilian Rap: The Work of Emicida
Sonho Brasileiro (Brazilian Dream)
Boa Esperança (Good Hope)
Chapter 17 Another Music in a Different (and Unstable) Room: A Route through Underground Music Scenes in Contemporary Portuguese Society
1 Primordial Trails: From Irrelevance to Consolidation in the Sociological Knowledge of Music
2 Transformational Trails: Changes in Contemporary Portuguese Society
3 Translocal and Transformational Trails: Regarding the Intersections, Hybridism and Singular Contamination of Portuguese Underground Music Scenes
4 Visible Trails, Incessant Paths
End Matter
References
Scores and manuscripts
Index