توضیحاتی در مورد کتاب Music Theory For Dummies
نام کتاب : Music Theory For Dummies
ویرایش : 3
عنوان ترجمه شده به فارسی : تئوری موسیقی برای آدمک ها
سری :
نویسندگان : Holly Day, Michael Pilhofer
ناشر : John Wiley & Sons
سال نشر : 2015
تعداد صفحات : 339
ISBN (شابک) : 9781118990940 , 1118990943
زبان کتاب : English
فرمت کتاب : pdf
حجم کتاب : 8 مگابایت
بعد از تکمیل فرایند پرداخت لینک دانلود کتاب ارائه خواهد شد. درصورت ثبت نام و ورود به حساب کاربری خود قادر خواهید بود لیست کتاب های خریداری شده را مشاهده فرمایید.
فهرست مطالب :
Title Page
Copyright Page
Contents at a Glance
Table of Contents
Introduction
About This Book
Foolish Assumptions
Icons Used in This Book
Beyond the Book
Where to Go from Here
Part I Getting Started with Music Theory
Chapter 1 What Is Music Theory, Anyway?
Unearthing Music Theory’s Beginnings
Putting the Spotlight on Music Theory Fundamentals
Understanding the foundation: Notes, rests, and beats
Manipulating and combining notes
Studying musical form and compositions
Seeing How Theory Can Help Your Music
Chapter 2 Determining What Notes Are Worth
Meeting the Beat
Recognizing Notes and Note Values
Examining the notes and their components
Looking at note values
Checking Out Whole (Semibreve) Notes
Homing In on Half (Minim) Notes
Considering Quarter (Crotchet) Notes
Examining Eighth (Quaver) Notes and Beyond
Extending Notes with Dots and Ties
Using dots to increase a note’s value
Adding notes together with ties
Mixing All the Note Values Together
Chapter 3 Giving It a Rest
Getting to Know the Rests
Whole (semibreve) rests
Half (minim) rests
Quarter (crotchet) rests
Eighth (quaver) rests and beyond
Extending the Break with Dotted Rests
Practicing Beats with Notes and Rests
Chapter 4 Introducing Time Signatures
Decoding Time Signatures and Measures
Keeping Things Easy with Simple Time Signatures
Using measures to count in simple time
Practicing counting beats in simple time
Working with Compound Time Signatures
Using measures to count in compound time
Practicing counting beats in compound time
Feeling the Pulse of Asymmetrical Time Signatures
Chapter 5 Playing with Beat
Creating Stress Patterns and Syncopation
Placing stress: Knowing the general rules
Syncopation: Hitting the off‐beat
Getting a Jump on Pick‐Up Notes
Exploring Irregular Rhythms: Triplets and Duplets
Adding interest with triplets
Working with duplets
Part II Putting Notes Together
Chapter 6 Music Notes (And Where to Find Them)
Meeting the Staff, Clefs, and Notes
The treble clef
The bass clef
The grand staff and middle C
C clefs: Alto and tenor
Identifying Half Steps, Whole Steps, and Accidentals
Working with half steps
Taking whole steps
Changing pitch with accidentals
Finding the Notes on the Piano and the Guitar
Looking for notes on the piano
Picking out notes on the guitar
Using Mnemonics to Help Remember Notes
Chapter 7 Mastering the Major and Minor Scales
Following Major-Scale Patterns
Working with major scales on piano and guitar
Listening to the major scales
Discovering All That Minor Scale Patterns Have to Offer
Playing natural minor scales on piano and guitar
Having fun with harmonic minor scales on piano and guitar
Making great music with melodic minor scales on piano and guitar
Listening to the minor scales
Chapter 8 Key Signatures and the Circle of Fifths
Understanding the Circle of Fifths and Recognizing Major Key Signatures
Sharps: Father Charles Goes Down and Ends Battle
Flats: Battle Ends and Down Goes Charles’s Father
Finding Minor Key Signatures and Relative Minors
Visualizing the Key Signatures
C major and A natural minor
G major and E natural minor
D major and B natural minor
A major and F sharp natural minor
E major and C sharp natural minor
B/C flat major and G sharp/ A flat natural minor
F sharp/G flat major and D sharp/ E flat natural minor
C sharp major/D flat and A sharp/ B flat natural minor
A flat major and F natural minor
E flat major and C natural minor
B flat major and G natural minor
F major and D natural minor
Chapter 9 Intervals: The Distance Between Pitches
Breaking Down Harmonic and Melodic Intervals
Quantity: Counting lines and spaces
Quality: Considering half steps
Naming intervals
Looking at Unisons, Octaves, Fourths, and Fifths
Perfect unisons
Augmented unisons
Octaves
Fourths
Fifths
Recognizing Seconds, Thirds, Sixths, and Sevenths
Seconds
Thirds
Sixths and sevenths
Building Intervals
Determining quantity
Establishing the quality
Showing Major and Perfect Intervals in the C Major Scale
Checking Out Compound Intervals
Creating a compound interval
Returning a compound to its simple state
Chapter 10 Chord Building
Creating Triads with Three Pitches
Roots, thirds, and fifths
Major triads
Minor triads
Augmented triads
Diminished triads
Expanding to Seventh Chords
Major sevenths
Minor sevenths
Dominant sevenths
Minor 7 flat 5 chords
Diminished sevenths
Minor‐major sevenths
Looking at All the Triads and Sevenths
A
A flat
B
B flat
C
C flat
C sharp
D
D flat
E
E flat
F
F sharp
G
G flat
Manipulating Triads through Voicing and Inversion
Taking a look at open and close voicing
Identifying inverted chords
Exploring Extended Chords
Ninth chords
Minor ninth chords
Major ninth chords
Ninth augmented fifth chords
Ninth flatted fifth chord
Seventh flat ninth piano chords
Augmented ninth chords
Eleventh chords
Thirteenth chords
Chapter 11 undefined
Reviewing Diatonic Chords, Chromatic Chords, and Minor Scale Modes
Identifying and Naming Chord Progressions
Assigning chord names and numbers
Looking at chord progressions in major keys
Checking out chord progressions in minor keys
Adding a Seventh Chord to a Triad
Seeing (And Hearing) Chord Progressions in Action
Applying Chord Knowledge to Fake Books and Tabs
Modulating to a New Key
Reaching a Musical Cadence through Chord Progressions
Authentic cadences
Plagal cadences
Deceptive cadences
Half‐cadence
Part III Musical Expression through Tempo and Dynamics
Chapter 12 Creating Varied Sound through Tempo and Dynamics
Taking the Tempo of Music
Establishing a universal tempo: The minim
Keeping steady time with a metronome
Translating tempo notation
Speeding up and slowing down: Changing the tempo
Dealing with Dynamics: Loud and Soft
Modifying phrases
Checking out other dynamic markings
Examining the piano pedal dynamics
Looking at the articulation markings for other instruments
Chapter 13 Instrument Tone Color and Acoustics
Delving into Tone Color
Attack: Checking out the beginning sound of a note
Timbre: Hearing the body of a note
Decay: Listening for the final sound of a note
Building the Band: An Acoustics Lesson
Part IV Musical Expression through Form
Chapter 14 The Building Blocks of Music: Rhythm, Melody, Harmony, and Song Form
Establishing Rhythm
Shaping the Melody
Complementing the Melody with Harmony
Working with Musical Phrases and Periods
Linking Musical Parts to Create Forms
One‐part form (A)
Binary form (AB)
Three‐part form (ABA)
Arch form (ABCBA)
Chapter 15 Relying on Classical Forms
Counterpoint as a Classical Revelation
Sussing Out the Sonata
Starting with the exposition
Moving on to something new: Development
Taking a rest with recapitulation
Rounding Up the Rondo
Figuring Out the Fugue
Combining Forms into a Symphony
Observing Other Classical Forms
Concerto
Duet
Etude
Fantasia
Chapter 16 Tapping Into Popular Genres and Forms
Feeling the Blues
12‐bar blues
8‐bar blues
16‐bar blues
24‐bar blues
32‐bar blues ballads and country
Having Fun with Rock and Pop
Improvising with Jazz
Part V The Part of Tens
Chapter 17 Ten Frequently Asked Questions about Music Theory
Why Is Music Theory Important?
If I Can Already Play Some Music Without Knowing Music Theory, Why Bother Learning It?
Why Is So Much Music Theory Centered on the Piano Keyboard?
Is There a Quick and Easy Way to Learn to Read Music?
How Do I Identify a Key Based on the Key Signature?
Can I Transpose a Piece of Music into Another Key?
Will Learning Music Theory Hinder My Ability to Improvise?
Do I Need to Know Theory if I Just Play Drums?
Where Do the 12 Musical Notes Come From?
How Does Knowing Theory Help Me Memorize a Piece of Music?
Chapter 18 Ten Keys to Reading a Musical Score
The Basics
Lead Sheets
Full Scores
Miniature Scores
Study Scores
Piano Scores
Short Scores
Vocal Scores
Tablature
Figured Bass Notion
Chapter 19 Ten Music Theorists You Should Know About
Pythagoras (582–507 BC)
Boethius (480–524 AD)
Gerbert d’Aurillac/Pope Sylvester II (950–1003)
Guido D’Arezzo (990–1040)
Nicola Vicentino (1511–1576)
Christiaan Huygens (1629–1695)
Arnold Schoenberg (1874–1951)
Harry Partch (1901–1974)
Karlheinz Stockhausen (1928–2007)
Robert Moog (1934–2005)
Part VI Appendixes
Appendix A Audio Tracks
Appendix B Chord Chart
Appendix C Glossary
Index
EULA