دانلود کتاب Musical Theatre Auditions and Casting: A performer’s guide viewed from both sides of the audition table

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Cover\nCONTENTS\nACKNOWLEDGEMENTS\nFOREWORD\nCONTRIBUTORS’ BIOGRAPHIES\nINTRODUCTION\nSection One: Before the Audition\n CHAPTER 1 HOW THE AUDITION PROCESS WORKS\n Who are casting directors and what do they do?\n Initial conversations\n How do casting directors find actors?\n The casting breakdown\n Agents and submissions\n Your relationship with your agent\n Online casting services\n Your photographs and CV\n What is a casting director looking for on a CV?\n The casting directors’ database\n Seeing actors in productions\n Direct submissions from actors\n Networking\n Reputation\n Realistic expectations\n Nearly time for us to call the agents …\n Words of Wisdom\n CHAPTER 2 PREPARING FOR YOUR AUDITION\n Types of audition\n Getting your audition information\n The day job\n Where is your audition being held?\n Who’s going to be at the audition?\n Gathering background information\n Your repertoire songbook\n Choosing your songs\n Song styles\n What makes a good audition song?\n What songs shouldn’t you sing?\n What do you sing for your specific audition?\n Context of audition songs\n The detail in your song\n Rehearsing your song\n Preparing your sheet music\n Spoken monologues and acting scenes\n Auditioning while on tour\n Keeping physically and mentally ‘match fit’\n Words of Wisdom\nSection Two: The Audition\n CHAPTER 3 THE DAY OF YOUR AUDITION\n The Night Before\n Illness\n Check the travel report\n Warming up\n Clothing and hair\n Audition diary\n Audition checklist basics\n Words of Wisdom\n CHAPTER 4 THE AUDITION\n Nerves\n The first-round singing audition\n Arriving at the audition venue\n Waiting to audition\n Entering the room\n Time to sing!\n Your time with the pianist\n Acting through song\n Using your introduction and endings\n Speaking during your song\n Never apologise\n The first thirty seconds\n False starts and forgetting\n Eyeline\n Performance levels\n Choreography and movement within songs\n Furniture and props\n Being stopped during your song\n Your second songs\n Getting out of the room\n The dance call\n At the dance audition\n The non-dancers at a dance call\n Gatecrashing\n Open auditions\n Taped auditions\n And you’re out of the room …\n Words of Wisdom\n CHAPTER 5 CALL-BACKS AND BEYOND\n Call-backs\n New members of the panel\n New material\n Text work\n Be brave\n Asking questions\n Looking at you in a new way\n Readers\n Accents\n Dealing with poor text\n Reading at sight\n Dyslexia\n Call-back songs\n Keeping on top of your call-back\n Group auditions\n The final audition\n The end of the audition process\n The decision-making process\n Profile casting\n Approvals\n Rejection\n Feedback\n Words of Wisdom\n CHAPTER 6 FINAL THOUGHTS\nGLOSSARY\nINDEX\n A\n B\n C\n D\n E\n F\n G\n H\n I\n J\n K\n L\n M\n N\n O\n P\n Q\n R\n S\n T\n U\n V\n W\n Y\n Z