دانلود کتاب Musicians' Mobilities and Music Migrations in Early Modern Europe: Biographical Patterns and Cultural Exchanges

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Editorial\nContent\nPreface\nRoads “which are commonly wonderful for the musicians” – Early Modern Times Musicians’ Mobility and Migration\nBetween Collective Biography and Biography: Cultural-Historical Approaches to Musicians’ Migrations in the Early Modern Age\nMigration and Biography The Case of Agostino Steffani\n“try it elsewhere [...]” – Konrad Hagius and Musician’s Mobility in Early Modern Times in Light of Local and Regional Profile\nCompetition at the Catholic Court of Munich Italian Musicians and Family Networks\nFrom Munich to ‘Foreign’ Lands and Back Again Relocation of the Munich Court and Migration of Musicians (c. 1690-1715)\nMigratory and Traveling Musicians at the Polish Royal Courts in the 17^th Century The Case of Kaspar Förster the Younger\nForeign Musicians at the Polish Court in the Eighteenth Century The Case of Pietro Mira\nLuka Sorgo – a Nobleman and Composer from Dubrovnik\nMUSICI and MusMig Continuities and Discontinuities\nSources of Musicians’ Migrations Between Court and City\nMusical Travels Sources of Musicians’ Tours and Migrations in the Seventeenth and Eighteenth Century\n“… und bißhero mein Glück in der Welt zu suchen …” – Notes on the Biography of Jonas Friederich Boenicke\nThe Russian Experience The Example of Filippo Balatri\nSoloists of the Opera Productions in Brno, Holešov, Kroměříž and Vyškov Italian Opera Singers in Moravian Sources c. 1720-1740 (Part I)\nVienna Kärntnertortheater Singers in the Letters from Georg Adam Hoffmann to Count Johann Adam von Questenberg Italian Opera Singers in Moravian Sources c. 1720-1740 (Part II)\nDissemination and Transfer of Music and Music Theory Between Copies, Adaptations and References\nEstienne Roger’s Foreign Composers\nFrom “Sonate a quattro” to “Concertos in Seven Parts” The Acclimatization of Two Compositions by Francesco Scarlatti\nSpread of Italian Libretti Maria Clementina Sobieska Stuart – a Patron of Roman Operas\nMigrations of Musical Repertoire The Attems Music Collection from Around 1744\nThe Case of Juraj Križanić (1619-1683?) – His Texts on Music. From Artefacts to Cultural Study (Croatian Writers on Music and The Transfer of Ideas in Their New Environments)\nPeople and Places in a (Music) Source. A Case Study of Giuseppe Michele Stratico and His Theoretical Treatises (Croatian Writers on Music and Transfer of Ideas in Their New Environments)\nList of Contributors\nIndex of Persons\nIndex of Places