دانلود کتاب Narratives Unfolding: National Art Histories in an Unfinished World

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Cover\nContents\nIllustrations\nAcknowledgments\nPreface\n1 Introduction\n2 Playing Out the “Differences” in “Turkish” Art-Historical Narratives\n3 Race, Irishness, and Art History: Margaret Clarke’s Bath Time at the Crèche (1925), Motherhood, and the Matter of Whiteness\n4 Problems of Translation: Lyonel Feininger and Gaganendranath Tagore at the Fourteenth Annual Indian Society of Oriental Art Exhibition, Kolkata, India\n5 Some Notes on Applying Postcolonial Methodologies to Architectural History Research in Israel/Palestine\n6 “Draw Me a Sheep!” Contemporary Responses to the Histories of Art Education, Surrealism, and Psychoanalysis in Egypt\n7 Historical Archives and Contemporary Art: The Case of the Umm el-Fahem Gallery in Palestine/Israel\n8 Dalriada, the Lordship of the Isles, and the Northern Rim: Decentralizing the Visual Culture of the Highlands and Islands of Scotland\n9 New Maps for Networks: Reykjavík Fluxus – A Case of Connections\n10 Hitching a Ride: American Know-How in the Engineering of Canadian Photographic Institutions\n11 Migratory Affiliations: Contemporary Romanian Art\n12 Maraya’s Sisyphean Cart: Twinned Visions of Vancouver and Dubai\n13 Urban Art Histories (in Canada)\n14 A Stranger in New York\n15 Mending Walls: Imagining the Sovereign Subject in Contemporary Exhibition Practices\n16 Embodying Sovereignty: Indigenous Women’s Performance Art in Canada\nNotes\nBibliography\nContributors\nIndex\n A\n B\n C\n D\n E\n F\n G\n H\n I\n J\n K\n L\n M\n N\n O\n P\n Q\n R\n S\n T\n U\n V\n W\n Y\n Z