دانلود کتاب On Women’s Films: Across Worlds and Generations

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Title Page\nCopyright Page\nContents\nAcknowledgments\nIntroduction\n The trouble with women’s cinema\n Embodied configurations: Material and self-inscription\n Self and authorial inscriptions\n Subjectivities across cultural, (trans) national, and neoliberal logic\n Duration and (in)significance\n Silence, talking heads, and collective matters\n Women’s imaginaries, psychic spaces, same-sex worlds\n Notes\n Works cited\nPart 1: Phrasing (in)Significance\n Chapter 1: Wanda’s Slowness\n Loden before Wanda\n Fatigue archive\n “that passive and numb”\n Gestures of folding, the downcast gaze\n Wanda’s slowness\n Slow cinema’s blind spot\n Notes\n Works cited\n Chapter 2: “And It’s So Tiring”\n Ruminations and fatigue\n La Chambre-Akerman: The long take, the room apart\n Exhausted finales and sitting series\n Exhausting unknowing\n Stasis and swerve: “To make cinema you need to get up”\n Notes\n Works cited\n Chapter 3: When to Speak and When to be Quiet\n Notes\n Works cited\n Chapter 4: Social Realism, Melodrama, and the Mute Text\n Women and the question of silence\n The May Lady\n Under the Skin of the City\n Notes\n Works cited\nPart 2: Collective Voice and Documentary Poetics\n Chapter 5: Documentary Poetics as a Field of Action\n To be a woman, in Italy, circa 1965\n Mangini and the poets\n Notes\n Works cited\n Chapter 6: On Talking Heads and Las muertes chiquitas\n The cross section talking head documentary\n In pursuit of a cosmic impression\n Margin/center dichotomy\n Managing the pitfalls of typology\n “Wait! One question”\n Notes\n Works cited\n Chapter 7: Agnès Varda and Ydessa\n Notes\n Works cited\n Chapter 8: Peace and Love, True and False\n Beautiful plastic\n Portraits of artists\n Avant-garde psychodramatics\n Notes\n Works cited\nPart 3: Embodied Configurations: Material and Self-inscription\n Chapter 9: She Carries the Film on Her Naked Body\n Genealogies of debt\n Marco’s drive\n Justine’s walk\n Notes\n Works cited\n Chapter 10: Ornaments and Sites of Self-suspension\n Digital ornaments\n The museum as a site of self-suspension\n Multimedial essayism\n Notes\n Works cited\n Chapter 11: Female Material\n Female material as intermediality\n From iconic female imagery to invisible adversary\n From invisible adversary to influencing machine\n Notes\n Works cited\n Chapter 12: “Dedicated to the One I Love”\n Immediacy and mediation\n Inscriptions of authorship\n Adaptation and authorship\n “Dedicated to the One I Love”\n Notes\n Works cited\nPart 4: Subjectivities Across Local, National, and Neoliberal Logics\n Chapter 13: She, a Chinese Director?\n Art cinema circuits and female auteurs\n Xiaolu Guo’s authorial persona\n Accented authorship\n She, a Chinese\n Notes\n Works cited\n Chapter 14: Floating Light and Shadows\n Daughter of the south\n “Women Make Waves”: The Feminist Tetralogy\n Casting light on overshadowed histories: The Postcolonial Trilogy\n Southern Night\n Notes\n Works cited\n Chapter 15: On Death and Dying\n Notes\n Works cited\nPart 5: Women’s Imaginaries, Same-sex Worlds\n Chapter 16: Soft Fictions\n Anthropological fictions\n Therapeutic fictions\n Same-sex fictions\n Hard fictions\n Notes\n Works cited\n Chapter 17: Perverse Angle\n Shame and its ways of seeing\n Feminist film, queer film\n Shame and women’s not-to-be-looked-at-ness: Denise Gonçalves’s Sound of Steps\n What happens when shame sees? Catherine Breillat’s A Real Young Girl\n Shame’s contagion and spectatorship\n Notes\n Works cited\n Chapter 18: Thinking Like a Holy Girl\n The vanishing auteur\n I’ve got that sinkin’ feeling\n Film-philosophy and the global auteur\n Kinematics (kinship + film auteurship)\n Belief, skepticism, and ineffable forces\n Notes\n Works cited\n Chapter 19: “Once Upon Her Time?”\n At work and play: Non-professional (and) child actors\n Life and death at the periphery (and center)\n Once upon her time\n Marginal techniques, minor cinema, or, the great in the small\n Notes\n Works cited\nContributors\n Editors\n Contributors\nIndex of Names and Titles