دانلود کتاب Opera and Drama in Eighteenth-Century London: The King’s Theatre, Garrick and the Business of Performance

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Half-title......Page 3
Series-title......Page 4
Title......Page 5
Copyright......Page 6
Dedication......Page 7
CONTENTS......Page 9
TABLES......Page 11
MUSICAL EXAMPLES......Page 12
ACKNOWLEDGEMENTS......Page 13
A NOTE ON CONVENTIONS......Page 15
Introduction......Page 17
(1) Theatre politics......Page 19
(2) Opera management......Page 22
(3) Opera criticism......Page 23
(4) Careers of singers......Page 24
(5) Music......Page 25
(7) A woman in management......Page 27
SOURCES......Page 28
The Ozias Humphry manuscripts......Page 31
The Drummonds account of Sheridan and Harris......Page 32
The Remarkable Trial of the Queen of Quavers......Page 33
1 The Hobart management......Page 35
2 The new managers take control......Page 45
3 Sacchini and the revival of opera seria......Page 56
4 Recruitment procedures and artistic policy......Page 68
5 The King’s Theatre in crisis......Page 76
6 The recruitment of Lovattini......Page 93
7 The English community in Rome......Page 109
THE AGENT......Page 110
THE ARTIST......Page 115
THE BANKER......Page 117
THE AMBASSADOR......Page 119
8 Lucrezia Agujari at the Pantheon......Page 121
9 Caterina Gabrielli......Page 137
10 Rauzzini’s last season......Page 152
11 The King’s Theatre flourishes......Page 169
12 The Queen of Quavers satire......Page 182
13 Financial management......Page 198
THE HOARE ACCOUNT......Page 199
THE 1773–4 SEASON......Page 200
THE 1774–5 SEASON......Page 202
THE 1775–6 SEASON......Page 203
THE 1776–7 SEASON......Page 204
RECEIPTS......Page 205
THE DRUMMONDS ACCOUNT......Page 207
THE SALT MANUSCRIPT......Page 212
14 Opera salaries......Page 214
15 The sale of 1778......Page 231
Appendix 1a The accounts of Richard Yates and James Brooke at Henry Hoare & Co. (1773–1777)......Page 250
Appendix 1b The customer account ledgers of Sheridan and Harris (1778–1779)......Page 267
Appendix 1c Selected entries from the account of Jonathan Garton at Drummonds Bank (1778–1779)......Page 273
Appendix 1d The account of Gasparo Pacchierotti at Coutts & Co. (1779–1784)......Page 274
Appendix 1e A page of opera payments and receipts in the Salt MSS (1780)......Page 279
Considerations on the State of the Stage......Page 281
The Managers of the Opera to the Lord Chamberlain......Page 285
Gentlemen......Page 288
Proposals–......Page 289
Appendix 3a Journal Etranger, No. 1 (June 1777)......Page 292
JOURNAL ETRANGER, NO (NOVEMBER 1777), 148–55.......Page 299
JOURNAL ETRANGER, NO. 11 (NOVEMBER), 142–8.......Page 302
JOURNAL ETRANGER, NO. 12 (DECEMBER 1777), 142–3.......Page 304
JOURNAL ETRANGER, NO. 14 (DECEMBER 1778), 144–5.......Page 305
JOURNAL ETRANGER, NO. 18 (MARCH 1778), 123–8.......Page 306
JOURNAL ETRANGER, NO. 19 (MARCH 1778), 143–6.......Page 308
JOURNAL ETRANGER, NO. 21 (APRIL 1778), 129–30.......Page 310
INTRODUCTION......Page 311
1 THE HOBART MANAGEMENT......Page 313
2 THE NEW MANAGERS TAKE CONTROL......Page 315
3 SACCHINI AND THE REVIVAL OF OPERA SERIA......Page 317
4 RECRUITMENT PROCEDURES AND ARTISTIC POLICY......Page 318
5 THE KING'S THEATRE IN CRISIS......Page 320
6 THE RECRUITMENT OF LOVATTINI......Page 321
7 THE ENGLISH COMMUNITY IN ROME......Page 323
8 LUCREZIA AGUJARI AT THE PANTHEON......Page 326
9 CATERINA GABRIELLI......Page 328
10 RAUZZINI'S LAST SEASON......Page 330
11 THE KING'S THEATRE FLOURISHES......Page 332
12 THE QUEEN OF QUAVERS SATIRE......Page 333
13 FINANCIAL MANAGEMENT......Page 334
14 OPERA SALARIES......Page 335
15 THE SALE OF 1778......Page 336
MANUSCRIPTS......Page 339
BOOKS AND ARTICLES......Page 341
INDEX......Page 347