دانلود کتاب Opera and drama in eighteenth-century London: the King's Theatre, Garrick and the business of performance

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Frontmatter\nList of tables (page ix)\nList of musical examples (page x)\nAcknowledgements (page xi)\nA note on conventions (page xiii)\nIntroduction (page 1)\n1 The Hobart management (page 19)\n2 The new managers take control (page 29)\n3 Sacchini and the revival of opera seria (page 40)\n4 Recruitment procedures and artistic policy (page 52)\n5 The King\'s Theatre in crisis (page 60)\n6 The recruitment of Lovattini (page 77)\n7 The English community in Rome (page 93)\n8 Lucrezia Agujari at the Pantheon (page 105)\n9 Caterina Gabrielli (page 121)\n10 Rauzzini\'s last season (page 136)\n11 The King\'s Theatre flourishes (page 153)\n12 The Queen of Quavers satire (page 166)\n13 Financial management (page 182)\n14 Opera salaries (page 198)\n15 The sale of 1778 (page 215)\nAppendices\n 1a The accounts of Richard Yates and James Brooke at Henry Hoare & Co. (1773-1777) (page 234)\n 1b The customer account ledgers of Sheridan and Harris (1778-1779) (page 251)\n 1c Selected entries from the account of Jonathan Garton at Drummonds Bank (1778-1779) (page 257)\n 1d The account of Gasparo Pacchierotti at Coutts & Co. (1779-1784) (page 258)\n 1e A page of opera payments and receipts in the Salt MSS (1780) (page 263)\n 2a Petition to the Lord Chamberlain (c.1770) (page 265)\n 2b Petition to the Lord Chamberlain (c.1775) (page 269)\n 2c Draft petition to the Lord Chamberlain from Sheridan and Harris (1777) (page 272)\n 3a Journal Etranger, No. 1 (June 1777) (page 276)\n 3b Opera reviews from Journal Etranger (1777-1778) (page 283)\nNotes (page 295)\nBibliography (page 323)\nIndex (page 331)