توضیحاتی در مورد کتاب Performer Training Reconfigured: Post-Psychophysical Perspectives for the Twenty-First Century
نام کتاب : Performer Training Reconfigured: Post-Psychophysical Perspectives for the Twenty-First Century
عنوان ترجمه شده به فارسی : پیکربندی مجدد آموزش اجراکننده: دیدگاه های پسا روانی برای قرن بیست و یکم
سری :
نویسندگان : Frank Camilleri
ناشر : Methuen Drama
سال نشر : 2019
تعداد صفحات : 289
ISBN (شابک) : 9781350060180 , 9781350060210
زبان کتاب : English
فرمت کتاب : pdf
حجم کتاب : 3 مگابایت
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فهرست مطالب :
Cover\nContents\nList of Tables\nPreface\nNote on Text\nIntroduction\n Assemblage theory\n Problematizing presence\n Relations of exteriority\n ‘Other way around’ perspectives\n Talking training (or a literature review)\n Transitioning to posthuman perspectives\n New fields of study\n Crossroads of psychophysicality\n1 Towards Post-Psychophysical Perspectives\n Instrumental perceptions\n Enabling technology\n Things that matter\n Man and machine\n ‘Available time’ hypothesis\n Project hybrid\n2 Experiencing Bodyworld: Postphenomenological Perspectives\n Conventional psychophysicality\n Introducing Ihde\n Postphenomenology\n Multistabilities in performance\n Interrelational ontology\n Hybrid relations, embodied hermeneutic\n Other relations\n Bodies (Merleau-Ponty) to bodies (Zarrilli) to bodies (Ihde)\n3 Of Materiality and Dynamic Hybrids: Sociomaterial Perspectives\n Constructing Latour\n Dynamic relations of social networks\n Dynamic hybrids\n Hybrids in performance\n Ideological and ethical approaches\n Material and immaterial labour\n Future trainings\n Hyphenated perspectives for hyphenated practices\n4 Unfolding Materialities of Practice: Methodological Perspectives\n Working art\n Ecology of connected elements in work practices\n A methodological framework\n Case study: Practitioner–academic hybrid practice\n Towards a blended methodology\n5 Incorporeal Materiality: Perspectives of Affect\n Perspective of affect\n Intensities of affect\n Materialities of the world unite\n Ecologies of affect for performance\n Affective logic, habit, and technique\n Mime and the punctuation of movement\n Post-psychophysical implications of affect\n6 Tuning to the Post-Psychophysical Dance: Perspectives from Situated Cognition\n Fritz writing Fritz\n Re(sonant)-cognition and on-the-line embodiment\n Sensorimotor contingencies\n Fritz observing Ryszard\n Body image, body schema\n Sensorimotor subjectivity\n Sensorimotor exigencies and affective framing\n Technology and objects: Expansion, extension, incorporation\n Incorporated extension\n Epistemic action\n Conclusion\nGlossary of Terms\nNotes\nReferences\nIndex