دانلود کتاب Permanent Revolution. Art in Ukraine, 20th to the Early 21st Century

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CONTENTS
Translator’s note
Introduction
Part 1. Beginnings. Before the Collapse of the Soviet Union
Chapter 1.
The Beginning of Modernism: From the 1880s to 1917
A Change in Artistic Language and the Search for a National Style
Modernism, the Secession, and Impressionism
The Beginning of the Avant-Garde. Cubo-Futurism
Querofuturism (or Panfuturism)
The Izdebsky Salon and the Independent Odesans
Chapter 2.
The Ukrainian Revolution and the Red Renaissance: From 1917 to the Early 1930s
The Ukrainian Revolution and the Founding of The Academy of Arts
The Kultur-Lige (Culture League)
Art and Revolutionary Propaganda. The UkROSTA Windows and YugoLEF
The Artistic Climate of the 1920s
War of the Unions
Oleksander Bohomazov. From Cubo-Futurism to The Woodсutters
Vasyl Yermilov and the Constructivist Avant-Garde in Kharkiv
 The Panfuturists, Mykhail Semenko, and Nova Generatsiia
Mykhailo Boichuk and his Circle.  The Beginning of the Purges
Chapter 3.
Stalinism and the Cult of Personality: The Early 1930s to 1953
The Birth of Socialist Realism
On Thin Ice. The End of the 1930s
World War II. Into the Fire
Stalinist Grand Style and the Post-War Shift to “Biedermeierism”
The Folk Alternative
Chapter 4.
A Multicultural Mosaic: Western Ukraine Before and After Joining the USSR
The Transcarpathian School of Painting
Cultural Heroes on the Margins of Empire, Epochs, and Genres
The Forgotten Names of Interwar Lviv
Chapter 5.
A “Different” Kind of Art and the Late Soviet Period: 1953 to the End of the 1980s
The Beginning of the Thaw and Austere Style
The 1960s Generation: Dissidents in Politics, Neo-Modernists in Art
Kitchen Table Discussions. The Orbit of the Kyiv Neo-Avant-Garde 
Mosaics, Architecture, and the Monuments of Late-Soviet Modernism
The 1970s and Early 1980s: Quiet Art, Individual Mythologies, and the Kyiv Underground
The Artists of the Kyiv Train Station. Hyperrealism, Chronorealism, and the Last Soviet Generation
The Kharkiv School of Photography
Odesa: From Nonconformism to Conceptualism
Part 2. The Art of Independent Ukraine
Chapter 1.
The New Wave on the Ruins of Utopia: The Late 1980s to 2004
A Permitted Renaissance: The Trans-Avant-Garde and the Birth of the New Wave
The Hard Border of National Post-Eclecticism
Sex, Drugs, and Contemporary Art: The Squats
The Curator: From Overseer to Participant
The Lviv Artistic Alternative
Political Performances
The Painterly Preserve: An Abstract Direction
Transcarpathian Poptrans
In Search of a Master
Away from Pictures
Odesa Drive
1990s Photography: A New Sense of Society
A Return to Painting
Chapter 2.
The Orange Generation: 2004–2013
The Challenges of a New Millennium
The Galleries and Media Projects of the Years In Between
An Elemental Postmodernism and a Creeping Schizo-Baroque
Political Eros. The Orange Aesthetic
Quick Response Art. The Revolutionary Experimental Space
REP and Their Mature Work
Rebooting the Kharkiv School: SOSka
Figurative Art in the Post-Media Age and the Glamor Experience
Kherson Art-Brut and the Poetry of a Corporate Bottom Feeder: Excel and Chanson
True Weirdos and a Return to Performance
Art and the Street
Hipsters, Social Networking, and a Deluge of Photographs
The New Left vs. the New Right
Art Institutions and Their Critics
Chapter 3.
Between a War and a Rave: The 2013 Revolution and Beyond
Art at the Barricades
Post-Trauma
The Apostles of Individualism: The Specter of Large-Format Art
A Conceptual Shift
Greater Ukraine. Nomads with the Motherland on Their Phones
The Rise of Women
The Poetry of the Provinces and a New Club Culture
Forward into the Past. A Time to Think Retrospectively
In Place of a Conclusion