دانلود کتاب Perspectives on German Popular Music

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Cover
Title
Copyright
Contents
List of figures and tables
Notes on contributors
Part I Histories and foundations
1 A fragile kaleidoscope: institutions, methodologies and outlooks on German popular music (studies)
2 Popular music studies in Germany: from the origins to the 1990s
3 Looking east: popular music studies between theory and practice
Part II Arts and experiments
4 Kosmische musik: on krautrock’s takeoff
5 Kraftwerk: the history and aesthetics of a pop-cultural concept
6 Pophörspiel: popular music in radio art
Part III Mainstreams and masses
7 Hit Men: Giorgio Moroder, Frank Farian and the eurodisco sound of the 1970/80s
8 A re-encounter with the Scorpions’ ‘Wind of Change’: why I couldn’t stand it then – what I learn from analysing it now
9 Modern Talking, musicology and I: analysing and interpreting forbidden fruit
10 Rocking Granny’s living room? The new voices of German schlager
Part IV Niches and subcultures
11 The popularization of electronic dance music: German artists/producers and the eurodance phenomenon
12 Restless and wild: early West German heavy metal
13 No escape from noise: ‘geräuschmusik’ made in Germany
14 German gothic: from ‘Neue Deutsche Todeskunst’ to neo-Victorian steampunk
15 ‘The interesting ones’: ‘Hamburger Schule’ and the ‘secondariness’ of German pop
16 Music, line dance and country and western-themed events: insights into German country music culture
Part V Politics and gender
17 Music of the right-wing scene: text content, distribution and effects
18 Rammstein under observation
19 Rap music in Germany
20 ‘Heulsusen-pop’: new male sensitivity in German independent music
21 From ‘Frauenfest’ to ‘Bitchsm’: feminist strategies in German-language popular music from the 1970s until today
Part VI Germanness and otherness
22 ‘White punks on dope’ in Germany: Nina Hagen’s punk covers
23 Singing in German: pop music and the question of language
24 ‘NDW’/New German wave: from punk to mainstream
25 Integrated music media analysis: an application to Trio
26 Punk in Germany
27 Popular music from Austria
28 From soundtrack of the reunification to the celebration of Germanness: Paul van Dyk and Peter Heppner’s ‘Wir sind Wir’ as national trance anthem
Part VII Electronic sounds and cities
29 Concepts of Cologne
30 Who said it’s got to be ‘clean’? Stereotypes, presets and discontent in German electronic sound studios
31 The Berlin sound of techno
Part VIII Media and industries
32 The history of the German popular music industry in the twentieth century
33 Pop on TV: the national and international success of Radio Bremen’s Beat-Club
34 German music talent shows
References and further reading
Index