دانلود کتاب Photographing Central Asia: From the Periphery of the Russian Empire to Global Presence

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Acknowledgements
Contents
Note on transliteration
1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period?
Part I: Photography and orientalisms
2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy’s anthropological and ethnographic photography in Russian Turkestan (1876–1881)
3 Picturing “Russia’s Orient”: The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900–1902)
4 The photographic legacy of Alexander N. Samoilovich (1880–1938)
5 Hungarian orientalism as seen through the photographs of György Almásy’s second expedition to the Kazakh and Kyrgyz territories in 1906
6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov
7 “Another Turkestan” of senator Konstantin von der Pahlen (1908–1909) and engineer Nikolai M. Shchapov (1911–1913)
Part II: Using and reusing photographs
8 Pre-revolutionary postcards with views of Turkestan
9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater?
10 Max Penson: The rise of a Soviet photographer from the margins
11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections
12 “Ethnographic types” in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017–2019)
13 Afterword: Unmarginalising Central Asian Photography
List of figures and tables
Geographic index
Index nominum
Index rerum