دانلود کتاب Plutarch's Moon: A New Approach to De facie quae in orbe lunae apparet

فهرست مطالب :

‎Contents ‎Abbreviations ‎Chapter 1. Introduction ‎1. Characters ‎2. Date of Composition ‎3. Date and Location of the Dramatic Action ‎4. Structure of the Treatise and Summary of Its Contents ‎4.1. The Lost Beginning ‎4.2. Means of Communication ‎4.3. First Part: The Discussion ‎4.3.1. The Stains and Irregularities on the Moon’s Surface ‎4.3.2. The Moon’s Nature: Aether and Light or Air and Fire ‎4.3.3. The Order of the Cosmos and the Moon’s Place in It ‎4.3.4. The Moon’s Nature according to Aristotelianism ‎4.3.5. The Question of the Moon’s Illumination ‎4.3.6. The Question of the Moon’s Obscuration ‎4.3.7. Possible Refutations of the Academic Theory ‎4.4. Second Part: The Transitional Dialogue ‎4.5. Third Part: The Monologue ‎4.5.1. The Content of the Myth ‎4.5.2. The Structure of the Myth ‎Chapter 2. Study of the Content ‎1. Plutarch and His Context ‎1.1. External Evidence ‎1.2. Internal Evidence: Plutarch ‎1.3. Internal Evidence: De facie ‎1.4. Criteria for the Study ‎2. Nature of the Moon ‎2.1. Introduction ‎2.2. Ontology ‎2.2.1. The Substance of the Moon ‎2.2.2. The Size of the Moon ‎2.3. Mythology ‎2.3.1. Artemis (& Eileithyia) ‎2.3.2. Athena ‎2.3.3. Hecate ‎2.3.4. Persephone-Kore ‎2.3.5. Moirai ‎3. Habitability of the Moon ‎3.1. Introduction ‎3.2. Orography ‎3.2.1. The Face of the Moon ‎3.2.2. The Archipelago of Ogygia and the Moon ‎3.2.3. The Moon’s Surface: A Selenography ‎3.3. Demography ‎3.3.1. Life on the Moon as a Reflection of Life on Earth ‎3.3.2. Fall of the Moon and Its Inhabitants ‎3.3.3. The Souls, True Inhabitants of the Moon ‎4. Position of the Moon ‎4.1. Introduction ‎4.2. Cosmography ‎4.2.1. Illumination ‎4.2.2. Obscuration ‎4.3. Anthropology ‎4.3.1. The Moon and Mankind ‎4.3.2. The Tripartite Human Being ‎5. Conclusions ‎5.1. Intermediacy ‎5.2. Ethical Concern ‎5.3. Literal and Allegorical Interpretations of the Moon ‎Chapter 3. General Conclusions ‎1. Date of Composition of De facie ‎2. Date and Location of the Dramatic Action ‎3. Structure of the Text ‎4. Conceptual Framework of De facie ‎5. Philosophical Purpose of De facie ‎Bibliography ‎Index of Ancient Sources