دانلود کتاب Politics as Form in Lars von Trier: A Post-Brechtian Reading

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Cover Contents Preface and acknowledgments Notes to the text Introduction: Looking back 1 From Brechtian to Post-Brechtian Cinema: Lars von Trier and the Post-Brechtian Brecht on the film medium Brecht’s critique of the institution of cinema What is post-Brechtian cinema? Locating von Trier in the post-Brechtian Challenging the cinematic institution Artaudian cruelty as Verfremdungseffekt 2 Historical Fragments in the Europa Trilogy Europe is painful Beyond the Fabel Audiovisual plenitude: The individual in crisis Dialectical images Literalization of the medium: The essay as film form History as transition On film voyeurism 3 The Primacy of the Apparatus Back to the 1970s? Dogme 95: Realism and anti-illusionism Technology and productivity The Idiots—“Performant” function and performative camera Interrupting the narrative Performance as form Performing out of character Reflections on the primacy of the apparatus: Post-Dogme developments, rules, and Automavision 4 Dogville and Manderlay: Experimentation and Dialectical Negations Representation as an experiment Experimentation as pedagogy Theatricality: Attitudes in space Performative contradictions Narrative openness as negative dialectics Epilogue: Dialogue with the “Dissensual” Past Appendix Interview with Lars von Trier Interview with Jørgen Leth Manifestoes Manifesto 1 Manifesto 2 Manifesto 3—I Confess! The dimension manifesto The Dogme 95 manifesto and the vow of chastity Selma’s manifesto The Dogumentary manifesto Bibliography Index