دانلود کتاب Popular Music and Automobiles

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Title Page\nCopyright Page\nContents\nNotes on contributors\nAcknowledgements\nIntroduction\nChapter 1: Rock ‘n’ roll: Cars, convergence, and culture\n Cars\n The ‘hot rod’ problem\n Fashion\n Radio\n Radio and new listeners as markets\n Radio’s new industrial organization\n Music\n Conclusion\nChapter 2: “She’s my little Deuce Coupe”: Freudian transformation in the car songs of the Beach Boys\n Social context\n The beginnings of a backlash\n Changing gender relations\n On the highway to hedonism\n The Beach Boys: Sunshine, surf, and cars\n Objectification\n Freud on creativity and the subconscious\n Transformation\nChapter 3: Music is the vehicle: Queen’s “Don’t Stop Me Now,” Top Gear, and the driving anthem\n Sounding out gender, speed, and banter in Top Gear\n Framing the fantasy: Speed and structure in “Don’t Stop Me Now”\n From the collective to the individual: Framing the driving anthem\n Conclusion: Music is the (invisible) vehicle\nChapter 4: The passenger? Gender, cars, mobility, and dance music\n Men, music, and motor cars\n Women at the wheel?\nChapter 5: Rave journeys: Intimacy, liminality, and the changing notion of home\n Getting ready, or fine-tuning, for the journey\n The drive\n The notion of home\n Liminality\n The journey back\n Conclusion\nChapter 6: Driving on the A470: Cars and roads in Welsh-language popular music\n Welsh landscape and automobile culture\n ‘Come for a spin in the charabanc’: Rejecting the car as the ‘great liberator’\n The car and significance\n Cemeteries and ‘L’ plates: The Welsh road\n Conclusion\nChapter 7: “Ich will Spaß, ich geb Gas”: German pop between fun and subversion\n The song “Ich will Spaß”\n Between the 1950s and 1980s\n 1950s style and the motif of rebellion\n The historical context of the song\n Tactical affirmation\nChapter 8: Las chivas: Fiesta in motion\n Las chivas\n Brief historical background\n Evidence of cultural syncretism in las chivas\n The impact of population dynamics in culture: An ethnography of las chivas\n Popular music, transit, and movement: Some results\n The first moment: Movement and popular music\n The second moment: The appearance of the radio\n The third moment: Chivas urbanization\n The prevalence of las chivas: ‘El hechizo’\n Urban party: The new cultural place of las chivas\n A moving party\n Motivations for decoration and music\nChapter 9: Listening to music in cars while black: Popular music, automobility, and the murder of Jordan Davis\n Limitations on black mobility and the ‘republic of drivers’\n Audibility and agency in musical space\n The white space of the open road\n Respectability, hip-hop, and the legacy of The Green Book\n Resisting the sounds of ‘polite society’\n Conclusion\nChapter 10: Crash! Music press coverage of performers in automobile accidents\n The lost youth topos\n The Mad Max topos\n The heartbreaking aftermath topos\n The romanticized African American topos\n Conclusion\nNotes\n Chapter 3\n Chapter 5\n Chapter 6\n Chapter 7\nReferences\nIndex