دانلود کتاب Postdramatic Theatre and India: Theatre-Making Since the 1990s

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Cover\nHalftitle page\nSeries page\nTitle page\nCopyright page\nEpigraph\nContents\nIllustrations\nAcknowledgements\nINTRODUCTION Hans-Thies Lehmann and Since: Debates in Postdramatic Theatre and Performance\n Lehmann and this book\n The passage towards postdramatic\n The dramatic–postdramatic ‘binary’\n The poetics of presence\n Postdrama and politics\n The chapters\n1 Theorizing and Contextualizing India’s Postdramatic\n Adaptation as contribution\n Predramatic and postdramatic\n India’s postdramatic\n Occasions and contexts\n I Autonomous women’s movement\n II Cold War, globalization, theatre practice\n III Mediatization of society and the use of technology in theatre\n IV Intercultural/inter-artistic engagements, training, influences\n V Theatre festivals, pedagogy, entrepreneurship\n Endnote\n2 The Non-Dramatic Turn in Indian Theatre: Early Adaptations and Devised Plays\n Early adaptations\n The Job (1996/1997)\n Kitchen Katha (1999/2000)\n Early devised productions\n Aur Kitne Tukde (2001)\n3 India’s Postdramatic I: ‘Telling Stories Across Forms’, Theatre and the New Political, Theatre of Scenography\n Between the arts: ‘telling stories across forms’\n Dark Horse (2006)\n Theatre and the new political\n Island of Blood (2003)\n Theatre of scenography\n Peer Gynt (2010)\n4 India’s Postdramatic II: Monologies and Theatre Solos\n Theatre solos/monologies\n Maya Krishna Rao\n Are You Home, Lady Macbeth? (2010)\n Heads are Meant for Walking Into (2005)\n Jyoti Dogra\n Black Hole (2019)\n5 India’s Postdramatic III: Theatre-as-Event, Reality Theatre, Theatre Installations\n Theatre-as-event\n Reality theatre\n The Antigone Project (2003/2004)\n Theatre installations\n Some Stage Directions for Henrik Ibsen’s John Gabriel Borkman (2009) and Propositions: On Text and Space I (2010)\n Active Space (2012)\n6 Activism in India’s Postdramatic Theatre\n Work in Progress: A Nationalism Project (2018)\n Dark Things (2018/2019)\nConclusion Postdrama and Theatre-Making in India\nReferences\nIndex