دانلود کتاب Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance

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Cover\nHalfTitle\nSeries\nTitle\nCopyright\nContents\nList of Figures\nIntroduction Postdramatic Theatre and the Political\n1 Towards a Paradoxically Parallaxical Postdramatic Politics?\n2 Performing Dialectics in an Age of Uncertainty, or: Why Post-Brechtian . Postdramatic\n Brechtian theatre and the binary dialectic\n Post-Brechtian theatre as a response to a philosophical deficit\n Einar Schleef and the persistence of the dialectic\n A postdramatic Puntila outside history\n The post-Brechtian is not the postdramatic\n3 Political Fictions and Fictionalisations: History as Material for Postdramatic Theatre\n4 A Future for Tragedy? Remarks on the Political and the Postdramatic\n Epilogue\n5 Spectres of Subjectivity: On the Fetish of Identity in (Post-)Postdramatic Choreography\n6 Christoph Schlingensief’s Rocky Dutschke, ’68: A Reassessment of Activism in Theatre\n The ambivalent inheritance of 1968\n Revival and remembrance\n Activists as role models: The melodrama\n Activating the audience: The boxing match\n The lesson\n7 Postdramatic Reality Theatre and Productive Insecurity: Destabilising Encounters with the Unfamiliar in Theatre from Sydney\n Reality theatre and the postdramatic use of theatrical signifiers\n CMI: Destabilising subjects and texts\n Hotel/Chambermaids: ‘Authentic’ or ‘fictional’ stories?\n8 Postdramatic Labour in The Builders Association’s Alladeen\n9 Acting, Disabled: Back to Back Theatre and the Politics of Appearance\n10 Parasitic Politics: Elfriede Jelinek’s ‘Secondary Dramas’ Abraumhalde and FaustIn and out\n Elfriede Jelinek’s post-drama\n The secondary drama – a parasitic genre\n Stemann’s postdramatic production of Abraumhalde\n Parízek’s postdramatic staging of FaustIn and out\n Hearing voices in the in-between\n11 Phenomenology and the Postdramatic: A Case Study of Three Plays by Ewald Palmetshofer\n Phenomenology: Corporeality or ‘discipline of the imagination’?\n Phenomenology and theatre\n Palmetshofer\n Postdramatic theatre\n12 Performing the Collective. Heiner Müller’s ‘Alone with These Bodies’ (‘Allein mit diesen Leibern’)1 as a Piece for Postdrama\n Why a ‘poem’?\n Reading ‘Alone with These Bodies’\n The ‘politics’ of theatre\n ‘Alone with These Bodies’ as political theatre\n A challenge\nNotes\nNotes on Contributors\nIndex