دانلود کتاب Postwar Politics, Society and the Folk Revival in England, 1945–65

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Cover\nContents\nPreface\nAcknowledgements\nAbbreviations\nBiographic Notes\n‘Folk Song without Folk’: An Introduction to Folk Music Revivalism in Twentieth-Century England\n Introduction\n Historiography\n A grassroots movement\n Arts, crafts and socialism: Early folk music collection\n Defining folk music in a technological age\n Skiffle and jazz\n Conclusion\n1 The Pub and the Beeb: Structural Foundations of the English Folk Revival\n Introduction\n The folk club\n The folk music press\n Record labels\n The BBC\n Folk festivals\n Conclusion\n2 ‘Its Music Was Folk’: Folk Revivalism and Socialist Politics\n Introduction\n A. L. Lloyd and the revival of industrial songs\n Art and socialism: Political culture and cultural politics\n Topical songwriting\n Conclusion\n3 A Dialectic of Class and Region: Folk Music in an ‘Affluent Society’\n Introduction\n ‘Vicious allurements’: The consumer economy, the teenager and the ‘affluent worker’\n Mining songs, the ‘Pit Elegy’ and the cultural response to nationalization\n Conclusion\n4 ‘Accent Speaks Louder than Words’: Imagining Regional and National Community through Folk Music\n Introduction\n Creating a national folk canon: The legacy of early collection\n Regional identity and folk song in England\n Utopian communities in the Northeast\n Conclusion\n5 Folk Music and Cultural Exchange: The ‘Shiny Barbarism’ of Americanization\n Introduction\n The Policy\n Conclusion\n6 ‘With Bob on Our Side’: Folk Music, the Culture Industry and Commercial Success\n Introduction\n Folk music and the culture industry\n Conclusion\nConclusions\nNotes\nBibliography\nIndex