دانلود کتاب Race, Gender, and Identity in American Equine Art: 1832 to the Present

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Cover
Half Title
Series Page
Title Page
Copyright Page
Contents
Figures
Acknowledgments
Introduction: But the Horse Is Much, Much More
Let Us not Praise Famous Horses
A Cow Is not a Cow Anywhere
Notes
Bibliography
1. Interspecies Entanglements in Edward Troye\'s Racehorse Portraits
Troye and English Models
The Multispecies Plantation Landscape
Thorough-breds
Against Kinship
Troye\'s Last Multi-figure Painting: The Undefeated Asteroid
Coda
Notes
Bibliography
2. Bone, Speed, and Blood: Schreiber & Sons and the Photographic Equine Portrait
Philadelphia, the Schreibers, and Thomas Eakins
Antecedents: From the Kentucky Stock Book and Race Horses of America to Portraits of Noted Horses of America
The Appeal of Trotters
Woodburn, Wallace, and Thoroughbreds
A Comparative Framework
Notes
Bibliography
3. A Girl Who Can Handle a Horse Well: The Rodeo Cowgirl in Early Twentieth-Century Real Photo Postcards
Cow(horse)girl
Rodeo Cowgirls in (Arrested) Motion
Woman/Horse/Together
The Rodeo Cowgirl in the Art of the West: Beyond the RPPC
Notes
Bibliography
4. Richard McLean\'s Equine Acts
McLean Chooses the Horse
Horses Acting as Painting
The Horse Show and its Audiences
Still (Live) Animals
Highbrow or Middlebrow?: Eliding Race and Class
(White) Women and Horses: Trophy Girls, Pageant Contestants, and Show Competitors
Women and Horses on the Periphery
Notes
Bibliography
Epilogue
Notes
Bibliography
Index