دانلود کتاب Radio as Art: Concepts, Spaces, Practices

فهرست مطالب :

Contents\nIntroduction\nThe Editors\n“I am an artist. I am not anything else.”1: —Robert Adrian Smith, 1935–2015\nThe Reception of Electricity: Art as Radio in Literature, Painting, and Performance\nOn Radioart\nI. RADIO SPACE\nThe Museum as an Agent of Radio Art\nConsidering the Sonic Aspects of the Media Environment as an Exhibition Space for Creative Sound-Based Works\nThe Avant-Garde and a Popular Medium: The Berlin Novembergruppe and Radio in the Weimar Republic\nII. RADIO ART: ARTISTIC PRODUCTION AND/OR POLITICAL PRACTICE\nThe Radio and/as Digital Productivism\nEveryone a Listener, Everyone a Producer! A Collective Journey toward Another Sound of Radio\nRadio Art in the “… Everyday Hand-to-Hand Struggle with Apparatuses?”\nRadio as a “Minor” Art Practice\nIII. INSTITUTIONAL FRAMING AND AGENCY\nRadio as a Research Medium for Artistic and Oral-History-Based Research Projects\nCommunity Radio as Post-Capitalist Art\nRadio Art as a Field of Study: The Experimentelles Radio Professorship at the Bauhaus- Universität Weimar\nRadio as Art? Heart or Gall Bladder?\nIV. RADIO ART AS ACTION\nIn Simulcast: Archigram and Radio Piracy in 1960s Britain\nThe Radio Voice That Is Telling Me to Go for the Throat of the Other: Two Lessons on Media Politics from LIGNA’s Oedipus, Tyrant\nDoing Radio Art: Direct Media Association’s Pacific Rim / Slow Scan\nRadio Prolife: Eavesdropping on Life\nV. WORDS-SOUND-MUSIC\nJohn Cage’s Cinema for the Ear\nPeter Roehr’s Sound Montages\nHörspiel-Pop, Radio Opera, Media Art: On the Reinvention of the Hörspiel by Andreas Ammer and FM Einheit\nListen and Participate: The Work of the Hörspielmacher Paul Plamper\nDead Spot in Art History\nAuthor Biographies