دانلود کتاب Rationalizing culture : IRCAM, Boulez, and the institutionalization of the musical avant-garde

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Acknowledgments Introduction I. Themes and Debates 2. Prehistory: Modernism, Postmodernism, and Music 3* Background: IRCAM\'s Conditions of Existence 4* The Institution of IRCAM: Culture and Status 5. Power, Institutional Conflict, Politics 6. Music: Uncertainty, the Canon, and Dissident Musics 7. Science, Technology, the Music Research Vanguard 8. A Composer\'s Visit: Mediations and Practices 9* Aporias: Technological and Social Problems around Production IO. Subjectivities: Difference and Fragmentation II. Conclusions: IRCAM, Cultural Power, and the Reproduction of Aesthetic Modernism Appendix: IRCAM Workers and Visitors as Introduced in the Text, by Acronym Glossary of terms and acronyms in the text Notes General Bibliography Bibliography of Music-Related References Index