دانلود کتاب Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan

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Cover
Half Title
Title
Copyright
Dedication
Contents
Acknowledgments
A Note on Copyright and Name Order
Introduction
Why analyze popular history films from Japan?
What each chapter seeks to address
Popular culture and the culture industry: Theoretical underpinnings
History as event: The Bakumatsu
1 Valorizing the villains: The first Bakumatsu boom and 1927’s Sonnō jōi
Historical resentment and the social function of the Bakumatsu boom
Sonnō jōi and the changing mythologies of the Bakumatsu
Close analysis: The assassination scene, minutes 98:58 to 100:14
The uses of revisionism
2 History as nonsense: Historical parodies of the Bakumatsu period
The king of comedy: Enomoto “Enoken” Ken’ichi
Bakumatsu as nonsense: Enoken Plays Kondō Isami
Kondō as parody of Bakumatsu history—and the period-film genre
Comedic precursors: The Yaji Kita film trilogy
Laughing at the patriots: Revering the Emperor
Inspired by Hollywood? Behind the Front
The uses of comedy
3 Serial history: Kurama Tengu
Presentational heroes, intertextual stars
Kurama Tengu films from the late 1920s
Shifting the target audience: Kurama Tengu in the late 1930s
The most popular Kurama Tengu film of the war: Itō Daisuke’s adaptation
Comparing Itō’s version to other 1940s Kurama Tengu films
The uses of Kurama Tengu
4 Consuming hate-the-enemy history
The Anglo-Satsuma War on film: The Pirates’ Flag Is Blasted Away
Film and empire: Signal Fires over Shanghai
The uses of ambiguity
5 Romancing history
Armed and dangerous: The Woman Who Wields a Sword
The late-1930s model of historical femininity: Flowers Have Fallen
The early-1943 model of historical femininity: Kantarō of Ina
Love over duty: Outa as true protagonist of Chō ji the Famous Sculptor
Slapstick in Chōji the Famous Sculptor
The politics: Analysis of Kusakabe “killing” Vairocana, minutes 53:52 to 56:25
The romance: Analyzing the climax of the film, minutes 66:12 to 68:50
The victory of love: Outa’s motivation
Vengeful virtue: A woman’s vendetta in Bijomaru the Famous Sword
The uses of romance
Epilogue: Transwar Japan
Beyond 1945: Bakumatsu films and transwar Japan
A period film with a buzz cut: The Last Expulsionist Party
Glossary of Key Abbreviations and Terms
Bibliography
Primary Sources
Asahi shinbun
Kokusai eiga shinbun (The International Motion Picture Trade Paper)
Eiga junpō
Eiga ken’etsu jihō
Kinema junpō
Kinema shūho
Nippon eiga
Chirashi (film handbills)
Ito Daisuke bunko (held in the archives of the Museum of Kyoto)
Shin eiga
Miscellaneous
Makino Collection (Starr Library, Columbia University)
Secondary Literature
Filmography
Index