دانلود کتاب Reading a Japanese Film: Cinema in Context

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Contents\nPreface\nAcknowledgments\nIntroduction\n1. Synergy of Theme, Style, and Dialogue: Kenji Mizoguchi’s Sisters of the Gion (1936)\n3. A Meiji Novel for the Screen: Shirö Toyoda’s The Mistress (1954)\n4. Period Film Par Excellence: Hiroshi Inagaki’s Samurai Trilogy (1954–1956)\n5. Simple Means for Complex Ends: Yasujirö Ozu’s Floating Weeds (1959)\n6. Eros, Politics, and Folk Religion: Kaneto Shindö’s Onibaba (1963\n7. The Age-Old Paradox of Innocence and Experience: Köhei Oguri’s Muddy River (1981\n8. Satire on the Family and Education in Postwar Japan: Yoshimitsu Morita’s The Family Game (1983)\n9. Defeat Revisited: Masahiro Shinoda’s MacArthur’s Children (1984)\n10. Satire on Contemporary Japan: Jüzö Itami’s A Taxing Woman (1987)\n11. Animation Seminal and Influential: Hayao Miyazaki’s My Neighbor Totoro (1988)\n12. Cultural Responses to Simplicity: Akira Kurosawa’s Madadayo (1993)\n13. The Danger and Allure of Phantom Light: Hirokazu Koreeda’s Maboroshi (1995)\n14. Stressed-Out Nineties Youth in Laid-Back Sixties Dress: Takeshi Kitano’s Kids Return (1995)\n15. Bittersweet Childhood: Yöichi Higashi’s Village of Dreams (1996)\n16. A Woman Director’s Approach to the Country Family: Naomi Kawase’s Suzaku (1997)\nNotes\nSelected Bibliography\nIndex\nAbout the Author