دانلود کتاب Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture

فهرست مطالب :

About the Series — Surla collection — Zur Buchreihe
Introduction
Given the Popular
Terms and Canons
“The Madness of the Unexpected”. Duchamp’s Readymades and the Survival of “High” Art
Instrument of Inspiration High/Low Illusions in British Experimental Music and After
English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension
Kinaesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide
Art, Nation and Political Discourse
Culture en quête de repères
Folklore
Dada, Carnival and Revolution
Spuren der Volksdichtung in der ungarischen Avantgardeliteratur
Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song
What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry
Der junge Borges und die ultraistische Avantgarde Das Populäre als Taktik
The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination
The Everyday
Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau
Everyday Life in André Breton’s Trilogy Nadja, Vases Communicants and L’Amour fou
Entre mime et possession: récits surréalistes et fictions populaires
The Blood of the Poet: Cocteau, Surrealism and the Politics of the Vulgar
“Broken Clouds – also by Instalments”: Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s
The “Abakans” and the Feminist Revolution
A Glossier Shade of Brown: Imi Knoebel’s Raum 19
Commerce
Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde
Wyndham Lewis and the Inter-War Popular Novel. Potboilers and Gunman Bestsellers
Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris
Between the Old and the New: The Surrealist Outmoded as a Radical Third Term
„The Hidden Network of the Avant-Garde“: der farbige Werbefilm als eine zentraleuropäische Erfindung?
Media
Lessons from the Press: Picasso and Mass Print Media, 1911–37
Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25)
„Produktion – Reproduktion”: Echos von Lázló Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst
Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37)
A Second Avant-Garde without a First: GreekAvant-Garde Artists in the 1960s and 1970s
Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s
A Tentative Embrace. Superstudio’s New Media Nomads
Index