دانلود کتاب Rethinking Fashion Globalization

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Cover page\nHalftitle page\nCopyright page\nTitle page\nCONTENTS\nILLUSTRATIONS\nNOTES ON CONTRIBUTORS\nACKNOWLEDGEMENTS\nFOREWORD\nCHAPTER 1 INTRODUCTION\n Rethinking Fashion Studies\n Developing a Decolonial Framework for Rethinking\n Notes\nSECTION I DISRUPTIONS IN TIME AND SPACE\n INTRODUCTION TO SECTION I\n CHAPTER 2 KIMONO MIGRATING ACROSS BORDERS: WASO CULTURE OUTSIDE OF JAPAN1\n Introduction\n Analysis of Waso Outside of Japan\n Conclusion\n Notes\n CHAPTER 3 GLOBAL CONNECTIONS AND FASHION HISTORIES: EAST ASIAN EMBROIDERED GARMENTS1\n Introduction\n Creating the Chinese/Spanish Shawl\n Fashion, Cultures and Categorization\n Fashion and Military Expansionism\n Souvenir to Global Fashion\n Conclusion\n Notes\n CHAPTER 4 AFRO-SURINAMESE KOTOMISI: FASHION AND THE ETHNOGRAPHY MUSEUM\n Introduction\n Fashion and the Ethnographic Museum\n The Nationaal Museum van Wereldculturen and Koto\n The Creation of Koto\n Complicating ‘Slave Cloth’\n Shape, Silhouette and Status\n Creolizing Fashions\n The Koto Today\n Conclusion\n Notes\n CHAPTER 5 COATS AND TROUSERS: REDRAWING THE MAP TO RESCRIPT THE NARRATIVE\n Introduction\n Evidence from Persia and Europe\n Asian Contexts: Tarim Basin\n Asian Contexts: East of the Tarim Basin\n Conclusion\n Notes\nSECTION II NATIONALISM, TRANSNATIONALISM AND FASHION\n INTRODUCTION TO SECTION II\n CHAPTER 6 #OWNYOURCULTURE: DECOLONIZING FASHION THROUGH TRADITIONAL JEWELLERY\n Introduction\n Implementation and Adaptation\n OwnYourCulture and Decolonizing Kenyan Fashion Efforts\n Conclusion\n Notes\n CHAPTER 7 KAWAII FASHION DISCOURSE IN THE 21ST CENTURY: TRANSNATIONALIZING ACTORS\n Introduction\n Kawaii Fashion Transnationalizing in France\n Discourse on Constructing and Transmitting Fashion as Representation in Transnational Ages\n 1. First Actor: Kawaii Fashion Wearers\n 2. Kawaii/Kawai: Defi nition of Kawaii Fashion by Wearers Redefined in the French Mass Media and Books\n 3. Auto-Appropriation or Re-Acculturation? Kawaii Fashion Reconstituted and Re-Distributed Abroad by the Japanese Government\n 4. Appropriation vs Inspiration, or Strategy vs Tactics? Representation of Kawaii by the French, Japanese and London’s Fashion Designers\n Conclusion\n Notes\n CHAPTER 8 ERASURE, FORGETTING AND THE PRACTICE OF MEMORY: DECOLONIZING FASHION IN AOTEAROA NEW ZEALAND\n Introduction\n Fashion Memory\n Colonial Disavowal\n Cultural Cringe\n Contemporary Fashion in Aotearoa New Zealand\n Conclusion\n Notes\n CHAPTER 9 WEARING ETHNICITY: NYONYA FASHION IN EARLY 20TH CENTURY SINGAPORE1\n Introduction\n Changing Wardrobe: Switching Ethnicity\n Ascendency of Chinese Fashion\n Straits-Chinese Reform: Re-Sinicization of Nyonyas\n Experimenting with Chinese Fashion\n Conclusion\n Notes\nSECTION III GLOBAL DESIGN PRACTICES\n INTRODUCTION TO SECTION III\n CHAPTER 10 CREATIVE COLLABORATIONS BETWEEN CONSUMERS AND FASHION DESIGNERS: THE ROLE OF FASHION POSTERS IN URBAN AND RURAL GHANA\n Introduction\n Vignette 1: Hamidu Tenni and Pat Glauh-Yeh\n Vignette 2: Dzifa Edith Kuleke\n Vignette 3: Daniel Kwesi Otabil\n Vignette 4: Wofa Kurabi\n Overview of Ghana’s Fashion Scenes\n Historical Ghanaian Fashions\n Understanding Poster Cultures\n Interviewing Fashion Creators\n Creative Encounters\n Conclusion\n Notes\n CHAPTER 11 STATE OF FASHION: SEARCHING FOR THE NEW LUXURY\n Introduction\n Radicant Identities\n Imagination in the Post Nation-State\n The Failure of the Current Fashion System\n The Need to Re-Define Fashion and Luxury\n Subtheme 1: New Imaginations\n Subtheme 2: The Product and the Maker in the Spotlight\n Subtheme 3: New Business Models\n Subtheme 4: Fashion Design for a Better World\n Subtheme 5: Interdisciplinarity\n Conclusion\n Notes\n CHAPTER 12 MAKING THE ORDINARY FASHIONABLE: NEW SARTORIAL LANGUAGES FROM RUSSIA AND CHINA\n Introduction\n Considering Ma Ke and Gosha Rubchinskiy\n The Ordinary and the Everyday\n Transformations\n Fashion as Expanded Practice/s\n Crossing Boundaries\n Conclusion\n Notes\n CHAPTER 13 BODY MAPPING: CROSS-CULTURAL INFLUENCES IN THE STUDIO\n Introduction\n Project 1: Planet Organic\n Project 2: Map Manipulation\n Project 3: Memento Re-Making History\n Project 4: Multiples in Nature\n Project 5: Final Major Project\n Conclusion\n Notes\n AFTERWORD\nINDEX