دانلود کتاب Rethinking Reich

فهرست مطالب :

Cover Rethinking Reich Copyright Dedication Contents Acknowledgments Copyright Permissions List of Contributors Introduction I Political, Aesthetic, and Analytical Concerns 1 “Departing to Other Spheres”: Psychedelic Science Fiction, Perspectival Embodiment, and the Hermeneutics of Steve Reich’s Four Organs 2 “Moving Forward, Looking Back”: Resulting Patterns, Extended Melodies, Eight Lines, and the influence of the West on Steve Reich 3 Different Tracks: Narrative Sequence, Harmonic (Dis)continuity, and Structural Organization in Steve Reich’s Different Trains and The Cave 4 “We Are Not Trying to Make a Political Piece”: The Reconciliatory Aesthetic of Steve Reich and Beryl Korot’s The Cave II Repetition, Speech, and Identity 5 Repetition, Speech, and Authority in Steve Reich’s “Jewish” Music 6 Steve Reich’s Dramatic Sound Collage for the Harlem Six: Toward a Prehistory of Come Out 7. From World War II to the “War on Terror”: An Examination of Steve Reich’s “Docu-​Music” Approach in WTC 9/​11 III Reich Revisited: Sketch Studies 8 “Save as . . . »”: Hybrid Resources in the Steve Reich Collection 9 Sketching a New Tonality: A Preliminary Assessment of Steve Reich’s Sketches for Music for 18 Musicians in Telling the Story of This Work’s Approach to Tonality 10 Improvisation, Two Variations on a Watermelon, and a New Timeline for Piano Phase 11 Steve Reich’s Counterpoints and Computers: Rethinking the 1980s IV Beyond the West: Africa and Asia 12 Afro-​Electric Counterpoint 13 That’s All It Does: Steve Reich and Balinese Gamelan 14 “Machine Fantasies into Human Events”: Reich and Technology in the 1970s Works Cited Index