دانلود کتاب Romantic Actors and Bardolatry: Performing Shakespeare from Garrick to Kean: 16 (Studies in Shakespeare)

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Cover\nTable of Contents\nIllustrations\nAcknowledgments\nAbbreviations\nIntroduction\n “ Romantic Acting”\n Romantic Shakespeare CriticismL the Closet and the Stage\nChapter 1 David Garrick\n Eighteenth3Century Acting Style and Theory of Human Passions\n Characterology and Garrick’s “Romantic” Style\n MobilityF MockeryF and Mass Media Marketing\n The Actor as Scholar\n Garrick Creates FandomL The zKOV Jubilee\n Commercializing Shakespeare through Theatrical Practice\n Garrick as Prophet and “Twin Star”L Afterlife and Apotheosis\nChapter 2 John Philip Kemble\n The Aesthetic of DignityF ArtF and Pageantry\n Characterology and Evolving Dramatic Theory\n ScholarshipF AdaptationsF and Language\n Politics and Nationalism\n The Old Price RiotsL Public Appropriation of Shakespeare\n Conclusion\nChapter 3 Sarah Siddons\n Characterology\n Interiority\n Affect and Emotion\n Character Development via Relationships\n Palpability and the Body\n Domesticity and Moral Values\n Gendered Superlatives\n Engagement with Discourse and Theory\n Pygmalion Reversed\n Siddons as HamletL Breaching the Breeches Part\n EntertainmentF StardomF and Pop Culture\n ConclusionL Siddons as Female Shakespeare\nChapter 4 Edmund Kean\n The Affective Point Ousts the Gestural\n The Proverbial Flashes of Lightning\n Radical ShakespeareL Kean’s Coriolanus\n Cockney KeanF Representative of the Masses\n Kean as Shakespearean Icon\n Kean’s Theory\n The Star System\n Nature vsO ArtPifice’\n “ New Readings” and Textuality\nBibliography