دانلود کتاب Russia - Art Resistance and the Conservative-Authoritarian Zeitgeist

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Cover
Half Title
Series Information
Title Page
Copyright Page
Table of contents
Illustrations
Notes on contributors
Preface
1 Introduction
The conservative-authoritarian policy turn and the dominant zeitgeist
Aesthetics and the conservative gaze
Art counterstrategies
Structure of the book
Notes
References
Part I The conservative zeitgeist and Russian cultural policy
2 The ‘Russian World’: Genetically modified conservatism, or why ‘Russian culture’ matters
Russian culture as national idea
‘Russian World’ and two conceptions of border
Notes
References
3 The new conservative cultural policy and visual art
The new conservative cultural policy
Cultural policy and visual art
Restructuring the art scene
Exhibition policy and the introduction of new parameters for understanding art
Conclusions
Notes
References
4 Neo-traditionalist fits with neo-liberal shifts in Russian cultural policy
The moralist turn in its political context
New public management of culture
A commercial turn in the public sector and two parallel histories
Pragmatic neo-traditionalism
The making of moral capitalism
Notes
References
5 Daughterland: Contemporary Russian messianism and neo-conservative visuality
Perestroika and the contemporary Russian conservative avant-garde
Daughterland and neo-conservative symbolic politics
Conclusions
Notes
References
6 Cultural policy and conservatism in Hungary: A parallel development
Prehistory: the compromise between party and culture
The renewal of the culture wars in Hungary
Orbán’s first government: the first acts of self-assertion
The 1956 memorial: an open clash between modernists and conservatives
Orbánism in power: the outsourcing of cultural policy
The anti-liberal turn
Memory wars
Efforts at resistance
Orbánism, art and the big money
Conclusion: the 1960s all over again?
Notes
References
Part II The state of affairs
7 Culture as the enemy: Contemporary Russian art under the authoritarian regime
Concluding remarks
References
8 Voices from the art scene: Interviews with Russian artists
Andrei Kuzkin
Irina Korina
Roman Mokrov
Pavel Peppershtein
Anatolii Osmolovskii
Oleg Kulik
Viktoriya Lomasko
Vikentii Nilin
Pussy Riot/Nadya Tolokonnikova and Petr Verzilov
Petr Pavlenskii
Darya Serenko
About the artists
Notes
Part III Artistic counterstrategies
9 Dissensus and ‘shimmering’: Tergiversation as politics
Nonconformist politics, dissensus and shimmering
The politics of shimmering in oppositional Russian art of the 2000s–2010s
Notes
References
10 Humour as a bulletproof vest: Artists embracing an ironic zeitgeist
Blue Noses and sublime idiocy
Sergei Elkin and the art of caricature
Acknowledgements
Notes
References
11 Demontage of attractions
Locating discontents
The constructivist spirit and the dwarf of political theology
Documentality in the expanded field
Supplementary notes on temporal inversions
Note
References
12 Wartime intimacy: Zoya Kosmodemyanskaya and the Chto Delat school for engaged art
The Chto Delat school: alternative institution and intimate counter-public
Chto Delat and the dialectic of weakness and heroism
A place for militancy? Enter Zoya
Notes
References
13 A dilemma for the contemporary artist: The ‘revolutionary pessimism’ of Roman Osminkin
Engagement with Prigov and Moscow conceptualism
Influence from the Left Front of the 1920s
The dilemma
Revolution
Revolutionary pessimism
Mirroring official culture
Notes
References
14 Radical art actionism
15 Petr Pavlenskii and his actions
Sources of inspiration
The door to Hell
Monumentality
The mass mediatization of Threat
The cultural legacy
Note
References
16 A dialogue about art
Introduction
Interrogation 1
Interrogation 2
Interrogation 3
Part IV Theatre
17 Theatre in a period of archaization
Repressive methods used against the theatre
References
18 Nonconformist theatre in Russia: Past and present
The nonconformist theatre tradition in Soviet times
Post-Soviet times and the need for a new socially oriented theatre
Nonconformist theatre in the regions
The changing theatre landscape
Conclusions
Note
References
Index