دانلود کتاب Samuel Beckett, repetition and modern music

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Cover Endorsement Half title page Title Page Copyright Page Dedication Table of contents Figures Acknowledgements Introduction Notes 1 Music and literature A roaring start Music and literature interaction Music and the literary diegesis Music as structural device in literature The sounding of text The growth of Word and Music Studies Notes 2 Repetition in music and literature Repetition in music Repetition in experimental music Repetitions in literature Notes 3 Musico-literary interaction in modern Ireland and the musical aesthetic of Samuel Beckett Music and metaphor in Beckett’s early fiction Notes 4 Beckett’s semantic fluidity: Repetition in the later work Beckett’s later Schopenhauerian music Close reading No. 1 from Ill Seen Ill Said 1. Exact clothed repetitions 2. Local musematic repetition 3. Binary oppositional repetitions 4. Discursive repetition recurring throughout Ill Seen Ill Said Close reading no. 2 from Ill Seen Ill Said Close reading from Worstward Ho Conclusion Notes 5 Beckett and Feldman: Time, repetition and the liminal space Neither Neither, V2 Neither, V3 The nine-note interlocking texture Words and Music Conclusion Notes 6 Improvising Beckett: Chance, silence and repetition Lessness Silence and indeterminacy Beckett’s Not I Binary oppositions Discursive repetitions Notes Conclusions Notes Bibliography Websites Discography Index