دانلود کتاب Schubert's Beethoven Project

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Cover
Half-title page
Title page
Copyright page
Dedication
Contents
Music examples
Tables
Acknowledgements
Abbreviations
Introduction
1 Preparations
The divide of 1824
The years of transition
Genres in transition
The works of transition
2 The year of crisis, 1823
Schubert’s letter
Illness
Absence of friends
Operatic frustrations
3 Schuppanzigh and Schubert’s chamber music
Schuppanzigh as inspiration
Schuppanzigh’s misgivings
Schubert’s concert – without Schuppanzigh
4 Songs of death and the chamber music of 1824
Miscegenation
Poems of death
Quartet of death
5 Schubert’s first public quartet and sonata form
A conventional movement
A Lied beginning
Cycles and textures
A Proustian narrative
6 Schubert’s Octet and Beethoven’s Septet
One-upping Beethoven
Modeling Beethoven
The expanded importance of the slow introductions
The ombra scene and its return
7 The Gesellschaft der Musikfreunde, Schubert, and his symphony
No visible means of support
Breakthrough, the Sonnleithners, and the GdMf
Schubert’s public face: the partsong
Schubert and the “society concerts” of the GdMf
The benefits of membership
Symphony frustrated
8 Schubert’s heroic symphony
Contradictions
The way forward
Horns and trombones
The coda wags the movement
9 The piano sonatas of 1825–1826
A new frontier
The piano sonata in 1825
Reaching the public
10 Schubert and his publishers
Beethoven’s example
Schubert’s Viennese publishers
Looking to Germany
11 The E-flat Piano Trio, Schubert’s career, and its two last movements
An outsized movement
Schubert’s benefit concert
The two last movements of the E-flat Piano Trio
Competing narratives
12 Schubert’s annus mirabilis and the String Quintet
A cello quintet
Beyond Vienna, Germany, and career to “the highest in art”
Shared preoccupations
Singing
Extremes
Unreconciled
Bibliography
Index