دانلود کتاب Sein und Schein: Explorations in Existential Semiotics

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Preface to Sein und Schein\nContents\nPart I Philosophy: Varieties of Being\n 1 Existential semiotics today: Sein (Being) and Schein (Appearing)\n 1.1 Introduction\n 1.2 A return to basic ideas\n 1.3 Modalities\n 1.4 Dasein and transcendence\n 1.5 Turn-around of Dasein\n 1.6 Values\n 1.7 New types of signs\n 1.8 More on transcendence\n 1.9 Mimesis\n 1.10 The subject reconsidered: BEING\n 1.11 Questions by a subject: From BEING to DOING\n 1.11.1 Consequences of our varieties of subjectivity\n 2 On the appearance or the present structure and existential digressions of the subject\n 2.1 Introduction\n 2.2 More on vertical appearance\n 2.3 More on horizontal appearance\n 3 Representation in Semiotics\n 3.1 The relation of representation in semiotics\n 3.2 Mapping representation\n 3.3 Nöth’s handbook\n 3.4 Representation in philosophy – John Deely\n 3.5 Peirce\n 3.6 Model theory\n 3.7 From cybernetics to cultural semiotics\n 3.8 Representation as function\n 3.9 The archaeology of Foucault\n 3.10 Existential semiotic interpretation\n 4 The concept of genre: In general and in music\n 4.1 A semiotic approach to genre in general ...\n 4.2 ... and inmusic\n 4.2.1 Before genres\n 4.2.2 Major genre categories: Art music and popular music\n 4.2.3 Norms and varieties of music\n 4.2.4 Genre in musical communication\n 4.2.5 Transgressing genres\n 4.2.6 Crises of genres\n 4.2.7 Cultural reflections\n 4.2.8 Classics\n 4.2.9 National versus universal\n 4.2.10 Social classification and functions\n 4.2.11 Genre as classification\n 4.2.12 Recent theories\n 5 The world and its interpretation\n 5.1 World and worlds\n 5.1.1 Philosophers\n 5.1.2 Artists\n 5.1.3 Semioticians\n 5.2 Closing thoughts\n 6 Signs around Us – Umwelt, Semiosphere and Signscape\n 6.1 Introduction\n 6.2 Milieu – Taine\n 6.3 Surrounding/surrounded\n 6.4 New models of communication\n 6.5 Umwelt and Uexküll\n 6.6 Dasein . . .\n 6.7 ... and transcendence\n 6.8 Semiosphere, Lotman and Ruskin\n 6.9 Heidegger’s view\n 6.10 Subject and environment\nPart II Doing: Society and Culture\n 7 Semio-crises in the era of globalisation: Towards a new theory of collective and individual subjectivity\n 7.1 Introduction\n 7.2 The lesson of semiocrises\n 7.3 Collective subjectivity or identity as a world view\n 7.4 Individual subjectivity or the fight between two manners of ‘being’ in the world\n 8 Ideologies manifesting axiologies\n 8.1 Introduction\n 9 Semiotics of resistance: Being, memory, history, and the counter-current of signs\n 9.1 Globalization and transcendence\n 9.2 Globalization as the new civilization: Some signs of the time\n 9.3 Aesthetics of resistance\n 9.3.1 Forces of resistance I: Being\n 9.3.2 Forces of resistance II: Memory\n 9.3.3 Forces of resistance III: History\n 9.4 What are we resisting?\n 10 Culture and transcendence\n 10.1 The theory in brief\n 10.2 Transculturality\n 10.3 Criticism of British cultural studies\n 10.4 Language games\n 10.5 Articulation\n 10.6 Subject positions\n 10.7 What Foucault said\n 10.8 Action\n 10.9 Cultivating\n 10.10 Content and Speculation\n 10.11 The organism\n 10.12 Generation\n 10.13 Nature\n 10.14 Rhizome\n 10.15 Zemic/Zetic\n 10.16 Transfer\n 10.17 Alien-psychic\n 10.18 Conclusion\nPart III Lesser Arts\n 11 A proposal for a semiotic theory of performing arts\n 11.1 General observations\n 11.1.1 Skill\n 11.1.2 Theory\n 11.1.3 Time\n 11.1.4 Emotions\n 11.1.5 Intentional body\n 11.1.6 Unpredictability\n 11.1.7 Schein\n 11.2 An existential semiotic theory of performance\n 11.3 Performance in various arts\n 11.3.1 Performance of the text\n 11.3.2 Film performance-analysis\n 11.3.3 Varieties of actor/actress, musician, dancer\n 12 On culinemes, gastrophemes, and other signs of cooking\n 12.1 Introduction\n 12.2 Two historical perspectives\n 12.3 Semiotic questions about food\n 12.4 Cooking as a generative course\n 12.5 An application: cooking in Paris according to Ville Vallgren, Finnish sculptor and gourmet\n 12.6 Conclusion\nPart IV Heimat\n 13.A Metaphors of nature and organicism\n 13.A.1 Introduction\n 13.A.2 What semioticians say about nature\n 13.A.3 Auguste Comte\n 13.A.4 German thinkers from Kant to Schiller\n 13.A.5 Différance\n 13.A.6 In biosemiotics\n 13.A.7 Semiogerms\n 13.B Metaphors of nature and organicism in the epistemology of music\n 13.B.1 On the musically “organic”\n 13.B.2 Sibelius and the idea of the “organic”\n 13.B.3 Organic narrativity\n 14 Finland in the eyes of a semiotician\n 14.1 Introduction\nPart V Precursors\n 15 From absolute spirit to the community of interpretation: Josiah Royce (1855–1916), the American classic between Hegel and Peirce\n 15.1 Josiah Royce as a historical figure\n 15.2 Why Hegel?\n 15.3 Back to Royce\n 15.4 Toward the world of interpretation\n 15.5 The moral burden of the individual\n 15.6 Royce’s metaphysics and last insights on interpretation\n 16 Victoria Lady Welby – A pioneer of semiotic thought rediscovered by Susan Petrilli\n 16.1 Introduction\n 16.2 The challenge of originality\n 16.3 The idea of “three”\n 16.4 Royce as Lady Welby’s contemporary\n 16.5 Welby’s independence as a scholar\n 16.6 Who is a significian?\n 16.7 Problematic language\n 16.8 Metaphors\n 16.9 How to educate our expressive powers\n 16.10 Transcendence\n 17 Vladimir Solovyov\n 17.1 Background\n 17.2 Moral philosophy\n 17.3 Sophia and the World Soul\n 18 Russian formalism in the global semiotics – Precursor of the European branch\n 18.1 Introduction\n 18.2 Wassily Kandinsky\n 18.3 Its key concepts are metaphors from music\n 18.4 Lev Karsavin (1892–1952)\n 18.5 Wilhelm Sesemann\n 18.6 Vladimir Propp\n 18.7 Mikhail Bakhtin\n 19 Wilhelm Sesemann in the context of semiotics\n 19.1 Introduction\n 20 Roland Barthes or the birth of semiotics from the spirit of music\n 21 The right of unfunctionality – Explorations in Ponzio’s philosophical semiotics\n 22 São Paulo, Helsinki, New Delhi – The life of José Luiz Martinez\nPart VI Practice\n 23 Can Semiotics be organized? Observations over a 40-year period\n 23.1 Introduction\n 23.2 Beginning: Lévi-Strauss, Greimas ... and Paris\n 23.3 The Impact of Thomas A. Sebeok\n 23.4 Semiotics expands\n 23.5 Imatra starts: Founding of the ISI\n 23.6 IASS Continues\n 23.7 The World Congress in Finland\n 23.8 From Italy to Bulgaria and Estonia\n 23.9 The Finnish Network University of Semiotics as an experiment\n 23.10 SEMKNOW\n 23.11 What do we want?\nLiterature\nIndex