دانلود کتاب Seneca Hercules

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Cover
Hercules
Copyright
Dedication
Epigraph
Preface
Contents
INTRODUCTION
I. Seneca and Rome
Life and Works
Julio-ClaudianRome
II. Roman Theatre
Republican Theatre
Imperial Theatre
The Performance Debate
III. The Declamatory Style
IV. Seneca’s Theatre of Violence
V. Seneca and Suicide
VI. The Myth before Seneca
VII. The Play
Act I: Juno, Furor, and Place
Ode I and Act II: Dawn to Imminent Execution
Ode II and Act III: Hercules and Hell
Ode III and Act IV: Death, Triumph, and Madness
Ode IV and Act V: Hercules, Furor, and Place
Performing Virtue
The Heroic Self
Rome, Death, and the End of Place
Theatre of Rage
VIII. Reception of Seneca’s Hercules
Antiquity
Renaissance to 1800
After 1800
IX. Metre
Dialogue
Iambic Trimeters
Choral Odes
Anapaests
Asclepiads
Sapphics
Glyconics
Anapaestic Colometry
Line Numbering
Semiotics of Seneca’s Lyric Metres
X. The Translation
TEXT AND TRANSLATION
Hercules
Actus Primus
Act I
Actus Secundus
Act II
Actus Tertius
Act III
Actus Quartus
Act IV
Actus Quintus
Act V
Selective Critical Apparatus
SIGLA
Differences from the 1986 Oxford Classical Text
Commentary
Title
Dramatis Personae
Scene
Time
Act Division
Stage Directions
Disposition of Roles
Masks
Audience
Act I (1–124)
First Choral Ode: The ‘Dawn Ode’ (125–204)
Act II (205–523)
Second Choral Ode: The ‘Hercules Ode’ (524–91)
Act III (592–829)
Third Choral Ode: The ‘Celebration Ode’ (830–94)
Act IV (895–1053)
Fourth Choral Ode: The ‘Lamentation Ode’ (1054–1137)
Act V (1138–1344)
Select Bibliography
1. Latin Texts: Editions, Translations, and Commentaries
2. Other Texts and Works of Reference and Criticism
Indexes
I. LATIN WORDS
II. PASSAGES FROM OTHER PLAYS OF THE SENECAN TRAGIC CORPUS
III. GENERAL INDEX