دانلود کتاب Shakespeare in the World: Cross-Cultural Adaptation in Europe and Colonial India, 1850–1900

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Cover Half Title Series Title Copyright Contents List of Musical Examples Acknowledgements Preliminary Notes Introduction Shakespeare’s Reception in Non-Anglophone Cultures: Analytical Paradigms Theorising Shakespeare Reception Relationally Shakespeare and “Nationalist Cosmopolitanism” Adaptation Theory and Cross-Cultural Receptions of Shakespeare The Case Studies: Patterns and Interconnections Part 1 1 Shakespeare Reception in France: Ambroise Thomas’s Hamlet and Its Intertexts Introduction Shakespeare’s Hamlet: Texts and Performances up to the Nineteenth Century Hamlet in France: From Ducis to Dumas and Meurice Thomas’s Hamlet as Opéra Lyrique The Operatic Ophélie The Afterlife of Thomas’s Hamlet 2 Nationalism and Aesthetic Self-Fashioning: Giuseppe Verdi’s Otello Introduction Jealousy and Vengeance in Othello and Otello (i): Racial Discourses Jealousy and Vengeance in Othello and Otello (ii): Religious Discourses Jealousy and Vengeance in Othello and Otello (iii): The Pressures of Patriarchy Verdi’s Musical Choices and the Subversion of Racial Stereotypes regarding Jealousy Conclusion Part 2 3 Challenging the Civilising Mission: Responses to The Tempest by Bankimchandra Chatterjee and Rabindranath Tagore Introduction Bankim and Bengali Literature After 1857 Bankim’s Life and Literary Career Kapālakunḍalā: Plot and Intertexts The Tempest, Kapālakunḍalā, and Women in Nineteenth-Century Bengal (i): A Historical Perspective The Tempest, Kapālakunḍalā, and Women in Nineteenth-Century Bengal (ii): A Symbolic Perspective Bankim, Tagore, and the Reception History of The Tempest 4 Two Contrasting Cases of Transculturation of Shakespeare From Nineteenth-Century Bengal: Ishwarchandra Vidyasagar’s Bhrāntivilās and Girishchandra Ghosh’s Macbeth Introduction Part I: Vidyasagar’s Bhrāntivilās Life and Times of Ishwarchandra Vidyasagar Rereading The Comedy of Errors: Bhrāntivilās and Its Intertexts Bhrāntivilās and Feminist Readings of Errors Part II: Girishchandra Ghosh’s Macbeth The Life and Career of Girishchandra Ghosh Girishchandra Ghosh’s Macbeth: A Case of Colonial Mimicry? Conclusion Conclusion Adaptation Studies: Synchronic and Diachronic Approaches Nationalist Cosmopolitanism and Post-Colonial Mimicry Cross-Cultural Shakespeare and New Analytical Frameworks Appendix 1 “Imitation” Appendix 2 “Śakuntalā, Miranda, and Desdemona” References Index