دانلود کتاب Shakespeare/Sense: Contemporary Readings in Sensory Culture

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Cover\nContents\nList of figures\nNotes on contributors\nSeries preface\nAcknowledgements\nA note on the text\nIntroduction Simon Smith\nPart One Theorizing sensation\n 1 Framing Shakespeare’s senses Bruce R. Smith\n 2 Admiring the nothing of it: Shakespeare and the senseless Steven Connor\n 3 The classical tradition Tanya Pollard\nPart Two The early modern sensorium\n 4 ‘Sweet above compare’? Disputing about taste in Venus and Adonis, Love’s Labour’s Lost, Othello, and Troilus and Cressida Elizabeth L. Swann\n 5 Hamlet’s visual stagecraft and early modern cultures of sight Simon Smith\n 6 The smell of a king: Olfaction in King Lear Holly Dugan\n 7 ‘Amorous pinches’: Keeping (in)tact in Antony and Cleopatra Jennifer Edwards\n 8 Hearing at the surface in The Comedy of Errors Katherine Hunt\nPart Three Entangled senses\n 9 Sense, reason, and the animal–human boundary in A Midsummer Night’s Dream Natalie K. Eschenbaum\n 10 Sense and community: Twelfth Night and early modern playgoing Jackie Watson\n 11 Simular proof and senseless feeling: Synaesthetic overload in Cymbeline Darryl Chalk\n 12 Pinching Caliban: Race, husbandry, and the working body in The Tempest Patricia Akhimie\nPart Four Sensing Shakespeare\n 13 Shakespeare and the seven senses: Scenes from the twenty-first-century stage Erin Sullivan\n 14 Parted eyes and generation gaps in twenty-first-century perceptions of screen Shakespeare Diana E. Henderson\n 15 The senses and material texts Adam Smyth\nFurther reading\nIndex