دانلود کتاب Sloppy Craft: Postdisciplinarity and the Crafts

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FC\nHalf Title\nTitle Page\nCopyright\nDedication\nContents\nList of Illustrations\nNotes on Contributors\nAcknowledgments\nForeword: Sloppy craft—origins of a term: Anne Wilson\nIntroduction: Elaine C. Paterson and Susan Surette\nPart One: Explorations of postdisciplinarity through sloppy craft\n 1. “Male trouble”: Sewing, amateurism, and gender: Joseph McBrinn\n 2. Sloppy craft as temporal drag in the work of Josh Faught: Elissa Auther and Elyse Speaks\n 3. An impression of déjà vu: Craft, the visual arts, and the need to get sloppy: Denis Longchamps\nPart Two: The implications of sloppy craft\n 4. Doomed to failure: Sandra Alfoldy\n 5. The value of “sloppy craft”: Creativity and community: Juliette MacDonald\n 6. Why is sloppy and postdisciplinary craft significant and what are its historical precedents?: Gloria Hickey\n 7. From Maria Martinez to Kent Monkman : Performing sloppy craft in Native America: Elizabeth Kalbfleisch\nPart Three: Sloppy craft in practice and pedagogy: A conversation\n 8. Sloppy craft and interdisciplinarity: The conversation: Conor Wilson (CW); Jean-Pierre Larocque (JPL); Kelly Thompson (KT); Peter Wilson (PW)\n 9. Teaching ceramics in an interdisciplinary environment: Eliza Au\n 10. Weaving practice and pedagogy: Kelly Thompson\n 11. Sloppy craft: As related to ceramics: Peter Wilson\nPostscript: Reprint of Glenn Adamson, “When Craft Gets Sloppy ”Crafts 211 (March–April 2008)\nIndex\nPlates Section