دانلود کتاب Social Class and Television Drama in Contemporary Britain

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Front Matter....Pages i-xvii
Introduction....Pages 1-9
Front Matter....Pages 11-11
This Is England: Authorship, Emotion and Class Telly....Pages 13-28
Jimmy McGovern’s The Street and the Politics of Everyday Life....Pages 29-43
High-flyers, Hooligans and Helpmates: Images of Social Class in the Television Dramas of Stephen Poliakoff....Pages 45-58
Front Matter....Pages 59-59
Through Class Darkly: Class in the British TV Noir....Pages 61-73
Military Class: Hearts and Minds on the Domestic Screen....Pages 75-88
‘Honest Endeavour Together!’: Social Mobility, Entrepreneurialism and Class in Mr Selfridge ....Pages 89-102
Social Class and Television Audiences in the 1990s....Pages 103-118
Searching for Hugh Gaitskell in a Neoliberal Landscape – Masculinities and Class Mobility in Goodnight Sweetheart ....Pages 119-132
Front Matter....Pages 133-133
From Newcastle to Nashville: the Northern Soul of Jimmy Nail....Pages 135-148
‘A Woman Like That Is Not A Woman, Quite. I Have Been Her Kind’: Maxine Peake and the Gothic Excess of Northern Femininity....Pages 149-164
Class, Place and History in the Imaginative Landscapes of Peaky Blinders ....Pages 165-179
Happy Valley: Compassion, Evil and Exploitation in an Ordinary ‘Trouble Town’....Pages 181-197
Front Matter....Pages 199-199
Twenty-First Century British Sitcom and ‘the Hidden Injuries of Class’....Pages 201-213
Animating Class in Contemporary British Television....Pages 215-230
Public Property: Celebrity and the Politics of New Labour in Footballers’ Wives....Pages 231-244
Grandma’s House and the Charms of the Petit Bourgeoisie....Pages 245-259
Back Matter....Pages 261-271