دانلود کتاب Social Housing in Performance: The English Council Estate on and off Stage

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Cover\nHalf title\nSeries page\nTitle\nCopyrights\nDedication\nContents\nAcknowledgements\nThree places: A preface\nIntroduction: The council estate, definitions and parameters\n The council estate and the crisis of social housing\n Council estate performance: A taxonomy\n Why spatiality? Methodology and theoretical frameworks\n1 Quotidian performance of the council estate\n Karen Matthews: Deviant motherhood on the white working-class estate\n Cheryl Cole: Working-class pride, escape from the estate and middle-class identity making\n Mark Duggan: Race, black masculinity and resistance on the council estate as hood\n The role of artistic performance practice?\n2 Class and the council estate in mainstream theatre\n Rita, Sue and Bob Too/A State Affair: Andrea Dunbar and the ‘authentic voice’\n Port : Working-class exceptionality and the estate as ruin\n DenMarked: Beyond realism – hip-hop, the hood and council estate rage\n Dominant, residual emergent\n3 Located on the estate\n SLICK: Art and redevelopment, making sense of unresolved tensions\n Seizure: The generic estate, empty buildings and timeless beauty\n ‘The Wedding to the Bread’: Tricky politics, resident engagement and inauthentic ritual\n Critical ambivalence\n4 Resident artists\n Jordan McKenzie’s Monsieur Poo-Pourri films: Subversive humour, art theory and the politics of the everyday\n Fugitive Images’ Estate: A Reverie: Home unmaking, gentrification and yearning on an east London council estate\n Jane English’s 20b: Demolished estates, domicide and revenge nostalgia\n Institutions, the Arts Council and the impossibility of ‘grass-roots’\nConclusion: Three thoughts\nNotes\nReferences\nIndex