دانلود کتاب Song Acts: Writings on Words and Music

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Song Acts: Writings on Words and Music
Copyright
Contents
Foreword
Preface
Acknowledgments
1 Song [1984/2016]
2 The Schubert Lied: Romantic Form and Romantic Consciousness [1986/2016]
3 Performance and Social Meaning in the Lied: Schubert’s Erster Verlust [1994]
4 “Syringa”: John Ashbery and Elliott Carter [1980/1984]
5 Decadence and Desire: The Wilhelm Meister Songs of Wolf and Schubert [1987]
6 Hugo Wolf: Subjectivity in the Fin-de-Siècle Lied [1996/2009]
7 Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion’s The Portrait of a Lady [2002]
8 “Little Pearl Teardrops”: Schubert, Schumann, and the Tremulous Body of Romantic Song [2002]
9 The Harem Threshold: Turkish Music and Greek Love in Beethoven’s “Ode to Joy” [1998]
10 Like Falling Leaves: The Erotics of Mourning in Four Drum-Taps Settings [2002]
11 Murderous Women in German Opera [2008]
12 “Longindyingcall”: of Music, Modernity, and the Sirens [2006]
13 Recalling the Sublime: The Logic of Creation in Haydn’s Creation [2009]
14 Wagner’s Gold Standard: Tannhäuser and the General Equivalent [2010]
15 The Talking Wound and the Foolish Question: Symbolization in Parsifal [2006]
16 The Great American Opera: Klinghoffer, Streetcar, and the Exception [2007]
17 Modern Madrigalisms: Elliott Carter and the Aesthetics of Art Song [2014]
Appendix: Unsung Words and Music
18 The Strange Case of Beethoven’s Coriolan: Romantic Aesthetics, Modern Subjectivity, and the Cult of Shakespeare [1995]
19 Tolstoy’s Beethoven, Beethoven’s Tolstoy: The Kreutzer Sonata [1997/2006]
20 Subjectivity Unbound: Music, Language, Culture [2003/2012]