دانلود کتاب Sounds of Modern History: Auditory Cultures in 19th- and 20th-Century Europe

فهرست مطالب :

Contents\nList of Figures\nIntroduction\nPart I: Sound History in Perspective\nChapter 1 Futures of Hearing Pasts\nPart II: Literature, Science, and Sound Technologies in the Nineteenth Century\nChapter 2 English Beat: The Stethoscopic Era’s Sonic Traces\nChapter 3 The Human Telephone: Physiology, Neurology, and Sound Technologies\nPart III: Sound Objects as Artifacts of Attraction\nChapter 4 Listening to the Horn: On the Cultural History of the Phonograph and the Gramophone\nChapter 5 Phones, Horns, and “Audio Hoods” as Media of Attraction: Early Sound Histories in Vienna between 1883 and 1933\nPart IV : Music Listening in the Laboratory and in the Concert Hall\nChapter 6 From the Piano Pestilence to the Phonograph Solo: Four Case Studies of Musical Expertise in the Laboratory and on the City Street\nChapter 7 The Invention of Silence: Audience Behavior in Berlin and London in the Nineteenth Century\nPart V: The Sounds of World War I\nChapter 8 Cheers, Songs, and Marching Sounds: Acoustic Mobilization and Collective Affects at the Beginning of World War I\nChapter 9 Listening on the Home Front: Music and the Production of Social Meaning in German Concert Halls during World War I\nPart VI: Auditory Cultures in the Interwar Period\nChapter 10 In Storms of Steel: The Soundscape of World War I and its Impact on Auditory Media Culture during the Weimar Period\nChapter 11 Sound Aesthetics and the Global Imagination in German Media Culture around 1930\nChapter 12 Neurasthenia, Civilization, and the Sounds of Modern Life: Narratives of Nervous Illness in the Interwar Campaign against Noise\nPart VII: The Sounds of World War II\nChapter 13 The Silence of Amsterdam before and during World War II: Ecology, Semiotics, and Politics of Urban Sound\nNotes on Contributors\nIndex