دانلود کتاب South Asian Writers in Twentieth-Century Britain: Culture in Translation

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Acknowledgements......Page 8
Contents......Page 10
Introduction: Contexts of LiteraryProduction and Consumption......Page 12
EARLY CROSS-CULTURAL ENCOUNTERS......Page 26
SOUTH ASIAN ANGLOPHONE WRITERS OF THE1930s AND 1940s AND THEIR RECEPTION......Page 28
TRANSNATIONAL PUBLISHING CONTEXTS......Page 35
NARRATIVES OF NATIONALISM......Page 37
THE PUBLICATION OF KANTHAPURA (1938)......Page 40
TALKING TO INDIA: SOUTH ASIANBROADCASTERS AT THE BBC......Page 45
POST-WAR AND POST-IMPERIAL BRITAIN......Page 50
THE RISE OF COMMONWEALTH LITERATUREIN BRITAIN AND ITS CRITICS......Page 54
PUBLISHING ‘INDIAN WRITING IN ENGLISH’IN 1960s AND 1970s BRITAIN......Page 57
THE EMERGENCE OF BLACK POWER AND‘BLACK’ AS A POLITICAL CATEGORY......Page 60
BUILDING A COMMUNITY: COMMUNITYPUBLISHING AND JUVENILE LITERATURE......Page 64
THE RISE OF ASIAN YOUTH POLITICSAND THE EMERGENCE OF URBAN THEATREAS POLITICAL PROTEST......Page 67
THE 1990s AND BEYOND: MOVING CENTRESTAGE; IS BROWN THE NEW BLACK?......Page 74
2 Self-translation as Self-promotion......Page 79
MODES OF SELF-TRANSLATION:VOLUNTARY AFFILIATION......Page 85
CONDITIONS OF EXILE VERSUS MIGRANCY......Page 89
MODERNIST CONTEXTS AND THE GENERICIMPLICATIONS OF ALIENATION......Page 95
CHAUDHURI: AFFILIATION IN BRITAIN (1951 – 99)......Page 102
ACCULTURATION IN COLONIAL SRI LANKA(1915 – 38)......Page 114
ASSIMILATION AND SELF-TRANSLATIONIN BRITAIN (1938 – 49)......Page 120
TALKING TO INDIA......Page 132
NATIONALISM, COSMOPOLITANISM,AND UNIVERSALISM (1949 – 52)......Page 135
SELF-TRANSLATION IN THE US (1952 – 68)......Page 139
FURTHER SELF-TRANSLATION IN BRITAIN(1968 – 83)......Page 145
CHAUDHURI AND TAMBIMUTTU: MIMICRYAND AMBIVALENCE......Page 148
3 Assimilation and Resistance: KamalaMarkandaya and A. Sivanandan......Page 156
MARKANDAYA: CONTEXTS OF LITERARYPRODUCTION AND CONSUMPTION 1954 – 82......Page 160
SIVANANDAN: RACE AND CLASS......Page 181
ANTI-RACISM IN BRITAIN......Page 183
WHEN MEMORY DIES......Page 186
MARKANDAYA AND SIVANANDAN......Page 193
4 Writing Back, Re-writing Britain:Farrukh Dhondy and Salman Rushdie......Page 197
FARRUKH DHONDY: PIONEEROF CONTEMPORARY BLACKAND ASIAN CULTURE IN BRITAIN......Page 204
SALMAN RUSHDIE: HOW DOES NEWNESSENTER THE WORLD?......Page 214
CULTURAL TRANSLATION AND HYBRIDITY......Page 227
SITUATING HANIF KUREISHI AND MEERA SYAL......Page 232
THE EARLY RECEPTION OF HANIF KUREISHI......Page 243
NEW ETHNICITIES AND THE POLITICS OFREPRESENTATION......Page 245
KUREISHI’S REPRESENTATION OF BRITISHMUSLIM IDENTITY......Page 250
POLITICAL COMMITMENT AND IRONICDISTANCE......Page 256
MEERA SYAL: RETHINKING AND CONTESTINGGENDERED ETHNICITIES......Page 258
RE-THINKING GLOBAL SISTERHOOD:THE PROBLEMS OF EUROCENTRISMAND UNIVERSALISM......Page 264
RE-FRAMING REPRESENTATIONS OF BRITISHASIAN WOMEN......Page 267
BRITISH ASIAN WOMEN, COMMUNITY, AND THEPOLITICS OF REPRESENTATION......Page 269
Afterword: Made in Britain......Page 277
Bibliography......Page 284
Index......Page 308