دانلود کتاب Stitching the Self: Identity and the Needle Arts

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Cover page\nHalftitle page\nTitle page\nCopyright page\nDedication\nContents\nPlates\nFigures and Table\nNotes on Contributors\nAcknowledgments\nIntroduction: Stitching the Self\n Piecing Together\n Scope and Organization\n Emerging Identities\n Elaborating Identities\n Recovering Identities\n Stitching the Self\nPart One Emerging Identity: Reconsidering the Narratives of the Needle\n1 The Identity of an Embroidering Woman: The Needle Arts in Brussels, Belgium, 1850–1914\n Introduction\n The Place of the Needle Arts in Young Women’s Education\n Case Study: Hélène De Rudder, née Du Ménil (1869–1962)\n A New Identity Through the Needle Arts? Female Needleworkers Gain Recognition\n Conclusion\n2 “Experiments in silk and gold work afterwards to bloom”: The Embroidering of Jane Burden Morris1\n Prick and Pounce: Laying the Ground\n Threading the Needle: Artistry and Embroidery\n Embroidering: Fashioning the Self\n Finishing: Ties that Bind\n Conclusion\n3 Becoming the Boss of Your Knitting: Elizabeth Zimmermann and the Emergence of Critical Knitting\n State of Mid-century Play in Professional Knitting and Knitting Craft smanship\n “Dear Knitter”: Dialogic Transformation in Personal and Institutional Identifications\n Intellectual Property: New Forms of Capital Among Knitters\n Conclusion\n4 “Knitting is the saving of life; Adrian has taken it up too”: Needlework, Gender, and the Bloomsbury Group\n Richmond and Asheham: Loose Threads\n “I find embroidery so soothing to the head”: Bloomsbury Women, Convalescence, and Craft\n “[D]eliberately vulgar and as idly pretentious”: Bloomsbury Masculinity, Effeminacy, and Embroidery\n Coda\nPart Two Elaborating Identity: Expressing Ideology, Craft ing Community\n5 Whig’s Defeat : Stitching Settler Culture, Politics, and Identity\n Introduction\n Defining Whig’s Defeat : Red and Green, and Organic Appliqué\n Middle-class Sensibilities and Victorian Femininity\n Whig’s Defeat as the McPherson Wedding Quilt\n Articulating her Politics: Campbell’s Whig’s Defeat\n Conclusion\n6 “From Prison to Citizenship,” 1910: The Making and Display of a Suffragist Banner\n Memories and Meanings\n Making the Banner: Ann Macbeth and the Glasgow School of Art\n The Banner on Display: Glasgow and London\n Stitching the Self\n Conclusion\n7 Our Lady of the Snows : Settlement, Empire, and “The Children of Canada” in the Needlework of Mary Seton Watts (1848–1938)\n Material Belonging\n Voluntary Social Action\n Artisanal Training\n British Child Migration Movement: The Child- citizen\n Conclusion\nPart Three Recovering Identity: Locating the Self Through Needlework\n8 “Je me declare Dieu-Mère, Femme Créateur”: Johanna Wintsch’s Needlework at the Swiss Psychiatric Asylums Burghölzli and Rheinau, 1922–1925\n Crafting in the Asylum\n Early Signs of Mental Illness and Institutionalization\n Burghhölzli and Rheinau (1922–1925)\n An Unruly Patient\n Needlework and Discipline\n Patient Experience\n Material Agency\n Needlework as Solace\n Needlework as Bargaining Chip\n Hans Prinzhorn and Patient Art\n Conclusion\n9 Hybrid Language: The Interstitial Stitches of Anna Torma’s Embroideries\n Feminisms\n L’écriture feminine\n Embodied Touch\n Collecting as Female Fetish\n Stitching the Self\n10 Suturing My Soul: In Pursuit of the Broderie de Bayeux\n The Importance of Naming: What the Bayeux Embroidery Is and Is Not\n In Search of My Matrilineal Heritage in Bayeux\n Materiality\n Cauterized and Sutured\n “A Fascination with the Needle”: Toward a Poetics of Embroidery\n Coda: “Heal Your Own Heart”\nNotes\nIndex