دانلود کتاب Storytelling techniques for digital filmmakers: plot structure, camera movement, lens selection, and more

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Front Cover
Copyright Page
Table of Contents
Introduction
Understand the "Why"
People Need Stories
Our Minds Are Wired for Stories
The Path to Successful Filmmaking
1. The Structure of a Story
Aristotle's Unified Plot
Freytag's Plot Structure
Plot Structure in Practice
Exposition
Characters
Setting
Relationships
The Hook
Rising Action
exposition objectives
Climax
Falling Action
Resolution
Acts 1, 2, and 3
The Nature of Conflict
Relational Conflict
Situational Conflict
Inner Conflict
required viewing
Paranormal/Possibility Conflict
Cosmic Conflict
required viewing. Social ConflictOther Issues of Conflict
Perception of Conflict
Simultaneous Conflicts
No Conflict? No Plot
concept films
2. Shot Sequencing
Filmmakers Create a Story
Forget About What Happened
The Camera Is the Viewer
Types of Sequences
Wide Shots
Medium Shots
Close-Ups
The B-Roll
The Order of the Shots
Medium, Wide, Close
Close, Close, Wide, Medium, Medium
Close-Ups in Context
Shot Order and Flow
3. The Art of the Close-Up
Types of Close-Ups
Uses of Close-Ups
Identify the Character
Emphasize Important Lines
Show the Reaction
and how about point of view? As Establishing Elements4. Perspective and Point of View
What to Show
Trust the Viewfinder, Not Your Eyes
The Camera Is the Viewer
What the Character Sees
Camera Angles
High-Angle Shot
Low-Angle Shot
Eye-Level Shot
Point-of-View Shot
Bird's Eye-Angle
Worm's-Eye Angle
An unusual example
Dutch Angle
The 180 Rule
How the Concept Works
Implying Movement
controlling negative space
Cat in the Window
Lens Selection
Sensor Size
Aperture
focusing
14mm, f/2.8 Lens
24mm, f/1.4 Lens
35mm, f/1.4 Lens
50mm, f/1.2 Lens
85mm, f/1.2 Lens
135mm, f/2.0 Lens
180mm (Macro), f/3.5 Lens. 5. Camera MovementCamera Movement and the Impact of 3-D
is movement required?
One More Time: The Camera Is the Viewer
Composition
The Rule of Thirds
Filling the Frame
Pan and Tilt
Tripod and Fluid Head
Panning
Follow Movement
Introduce a New Subject
Add Movement
The Quick Pan
Tilting
Follow Movement
Transitional Movement
cranes/jibs
The Fly on the Wall
A Human Feeling
Shoulder Mounts
required viewing
Tracking Shots
The Dolly
Types of Shots
Straight Dolly Shot
Curved Dolly Shot
Dolly In
Dolly Out
Vertigo (Push/Pull) Effect
Telephoto Lens on the Dolly. Tracking Dolly ShotSteadicam
A Final Thought
required viewing
So, What Do I Really Need?
Monopod
Dolly/Slider
Tripod
Shoulder Mount
Steadicam
Car Mount
Crane
6. Lighting, Color, and Exposure
The Power of Lighting
Camera Controls
ISO Setting
use a light meter
Frame Rate and Shutter Speed
Justify the Light
Find the Light
Enhance the Light Realistically
Consider Showing the Light Source
lighting outdoors
Cheating the Light
Shadows
Shadows on the Subject
Shadows Cast by the Subject
Lighting the Mood
lighting for effect
A Particular Challenge
Lighting Color
Red.